She opened the windows of her photograph gallery and dusted out the cobwebs, then, beginning at the top, sauntered slowly down. She looked at her first appearance in the world of fashion. It is after the completion of her winter’s wardrobe by a bevy of famous tailors, and she wears a gown of light-gray cloth and a tiny bonnet of silvery birds. The début is in St. Mark’s; and as she walks up the center aisle to the Suydam pew, her form as straight as a young sapling, her head haughtily yet nonchalantly poised, every curve of her glove-fitting gown proclaiming the hand that cut it, Second Avenue catches its breath, raises its eyebrows, and exchanges glances of well-bred, aristocratic surprise. Late that week it calls, and this time is not repulsed, but goes away enchanted. It does not take long for the unseen town crier to flit from Second Avenue to Fifth, and one day his budget of news sends a ripple over the central stream. John Suydam’s heiress, a beautiful girl of twenty, with a style all her own, yet not violating a law of good form! The old red-brick house transformed into an enchanted palace, with a remarkably wide-awake princess, and a sacrifice to modern proprieties in the shape of a New England aunt! How unusual and romantic! yet all as it should be. We begin to remember poor Crosby Suydam and his charming young wife. We recall the magnificence of their entertainments in the house on lower Fifth Avenue—now resplendent with a milliner’s sign. Both dead? How sad! And to think that John Suydam had a million all the time! The old wretch! But how enchanting that he had the decency to leave it to this beautiful girl! We will call. They do call; and a distant relative of Hermia’s father, Mrs. Cotton Dykman, comes forward with stately tread and gracious welcome and offers her services as social sponsor. Hermia accepts the offer with gratitude, and places her brougham at Mrs. Dykman’s disposal. Mrs. Dykman is a widow approaching fifty, with lagging steps yet haughty mien. Her husband omitted to leave her more than a competence; but she lives in Washington Square in a house which was her husband’s grandfather’s, and holds her head so high and wears so much old lace and so many family diamonds (which she hid in the wall during the late Cotton’s lifetime) that the Four Hundred have long since got into the habit of forgetting her bank account. To her alone does Hermia confide the secret of her past external self and the methods of reconstruction, and Mrs. Dykman respects her ever after. In a photograph near the head of the gallery Hermia and Mrs. Dykman are seated by the library fire, and Hermia is discoursing upon a question which has given her a good deal of thought.