Bessie was married in a pretty white gown, made from an old one of her
mother’s, and St. Mark’s had never held a daintier bride. No one was
present but Mordaunt’s parents, the professor, who was radiant, and
Hermia, who was the only bridesmaid. But it was a fair spring morning,
the birds were singing in an eager choir, and the altar had been
decorated with a few greens and flowers by the professor and Hermia. At
the conclusion of the service the clergyman patted Bessie on the head
and told her he was sure she would be happy, and the girl forgot her
uncle’s benediction.
“Bessie,” said Hermia an hour later, as they were walking toward their
new home, “I will never be married until I can have a dress covered with
stars like those Hans Andersen’s princesses carried about in a nutshell
when they were disguised as beggar-maids, and until I can be married in
a grand cathedral and have a great organ just pealing about me, and a
white-robed choir singing like seraphs, and roses to walk on——”
“Hermia,” said Bessie dreamily, “I wish you would not talk so much, and
you shouldn’t wish for things you can never have.”
“I will have them,” exclaimed the child under her breath. “I will! I
will!”
* * * * *
CHAPTER III.
BROOKLYN AND BABYLON.
Thirteen years passed. Bessie had three of her desired children and a
nice little flat in Brooklyn. Reverses and trials had come, but on the
whole Mordaunt was fairly prosperous, and they were happy. The children
did not wear white dresses and blue sashes; they were generally to be
seen in stout ginghams and woolen plaids, but they were chubby, healthy,
pretty things, and their mother was as proud of them as if they had
realized every detail of her youthful and ambitious dreams.
Bessie’s prettiness had gone with her first baby, as American prettiness
is apt to do, but the sweetness of her nature remained and shone through
her calm eyes and the lines of care about her mouth. She had long since
forgotten to sigh over the loss of her beauty, she had so little time;
but she still remembered to give a deft coil to her hair, and her plain
little gowns were never dowdy. She knew nothing about modern decorative
art, and had no interest in hard-wood floors or dados; but her house was
pretty and tasteful in the old-fashioned way, and in her odd moments she
worked at cross-stitch.
Public-domain text, read in full here on John Shaqi.
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