Heroes of the Middle West: The French — John Shaqi
Heroes of the Middle West: The FrenchCatherwood, Mary Hartwell
History
Heroes of the Middle West: The French
Catherwood, Mary Hartwell
Mississippi River Valley -- Discovery and exploration; Mississippi River Valley -- History -- To 1803
A large gay mat of rushes was spread in the center of the grove, and
the warrior selected to dance put his god, or manitou--some tiny carven
image which he carried around his person and to which he prayed--on
the mat beside a beautiful calumet. Around them he spread his bow and
arrows, his war club, and stone hatchet. The pipe was made of red rock
like brilliantly polished marble, hollowed to hold tobacco. A stick
two feet long, as thick as a cane, formed the stem. For the dance these
pipes were often decked with gorgeous scarlet, green, and iridescent
feathers, though white plumes alone made them the symbol of peace, and
red quills bristled over them for war.
[Illustration: War Club.]
Young squaws and braves who were to sing, sat down on the ground in a
group near the mat; but the multitude spread in a great circle around
it. Men of importance before taking their seats on the short grass, each
in turn lifted the calumet, which was filled, and blew a little smoke
on the manitou. Then the dancer sprang out, and, with graceful curvings
in time to the music, seized the pipe and offered it now to the sun and
now to the earth, made it dance from mouth to mouth along the lines of
spectators, with all its fluttering plumes spread. The hazy sun shone
slanting among branches, tracing a network of flickering leaf shadows
on short grass; and liquid young voices rising and falling chanted,
"Nanahani, nanahani, nanahani, Naniango!"
[Illustration: Stone Hatchet.]
The singers were joined by the Indian drum; and at that another dancer
sprang into the circle and took the weapons from the mat to fight with
the principal dancer, who had no defense but the calumet. With measured
steps and a floating motion of the body the two advanced and attacked,
parried and retreated, until the man with the pipe drove his enemy from
the ring. Papooses of a dark brick-red color watched with glistening
black eyes the last part of the dance, which celebrated victory. The
names of nations fought, the prisoners taken, and all the trophies
brought home were paraded by means of the calumet.
The chief presented the dancer with a fine fur robe when he ended; and,
taking the calumet from his hand, gave it to an old man in the circle.
This one passed it to the next, and so it went around the huge ring
until all had held it. Then the chief approached the white men.
"Blackgown," he said, "and you, Frenchman, I give you this peace-pipe
to be your safeguard wherever you go among the tribes. It shall be
feathered with white plumes, and displaying it you may march fearlessly
among enemies. It has power of life and death, and honor is paid to it
as to a manitou. Blackgown, I give you this calumet in token of peace
between your governor and the Illinois, and to remind you of your
promise to come again and instruct us in your religion."
Public-domain text, read in full here on John Shaqi.
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