The exact extent of the direct influence of Irish literature upon the
development of other nations is hard to trace, chiefly because the
influence of Ireland upon the Continent was at its height at the time
when none of the languages of modern Europe except Welsh and
Anglo-Saxon had reached a stage at which they might be used for
literary purposes, and a Continental literature on which the Irish one
might have influence simply did not exist. Its subsequent influence,
in the tenth and eleventh centuries, upon Welsh, and through Welsh upon
the early Breton literature (now lost) appears to be established; it is
usually supposed that its action upon the earliest French compositions
was only through the medium of these languages, but it is at least
possible that its influence in this case also was more direct. In
Merovingian and early Carlovingian times, when French songs were
composed, which are now lost but must have preceded the extant chansons
de geste, the Irish schools were attracting scholars from the
neighbouring countries of Europe; Ireland was sending out a steady
stream of "learned men" to France, Germany, and Italy; and it is at
least possible that some who knew the Irish teachers realized the merit
of the literary works with which some of these teachers must have been
familiar. The form of the twelfth-century French romance, "Aucassin
and Nicolete," is that of the chief Irish romances, and may well have
been suggested by them; whilst the variety of the rhythm and the
elaborate laws of the earliest French poetry, which, both in its
Northern and Southern form, dates from the first half of the twelfth
century, almost imply a pre-existing model; and such a model is more
easily traced in Irish than in any other vernacular literature that was
then available. It is indeed nearly as hard to suppose that the
beautiful literature of Ireland had absolutely no influence upon
nations known to be in contact with it, as it would be to hold to the
belief that the ancient Cretan civilisation had no effect upon the liter
ary development that culminated in the poems of Homer.
Public-domain text, read in full here on John Shaqi.
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