HEROIC ROMANCES OF IRELAND TRANSLATED INTO ENGLISH PROSE AND VERSE, WITH PREFACE, SPECIAL INTRODUCTIONS AND NOTES BY A. H. LEAHY IN TWO VOLUMES VOL. I PREFACE At a time like the present, when in the opinion of many the great literatures of Greece and Rome are ceasing to hold the influence that they have so long exerted upon human thought, and when the study of the greatest works of the ancient world is derided as "useless," it may be too sanguine to hope that any attention can be paid to a literature that is quite as useless as the Greek; which deals with a time, which, if not actually as far removed from ours as are classical times, is yet further removed in ideas; a literature which is known to few and has yet to win its way to favour, while the far superior literature of Greece finds it hard to defend the position that it long ago won. It may be that reasons like these have weighed with those scholars who have opened up for us the long-hidden treasures of Celtic literature; despairing of the effort to obtain for that literature its rightful crown, and the homage due to it from those who can appreciate literary work for itself, they have been contented to ask for the support of that smaller body who from philological, antiquarian, or, strange as it may appear, from political reasons, are prepared to take a modified interest in what should be universally regarded as in its way one of the most interesting literatures of the world. The literary aspect of the ancient literature of Ireland has not indeed been altogether neglected. It has been used to furnish themes on which modern poems can be written; ancient authority has been found in it for what is essentially modern thought: modern English and Irish poets have claimed the old Irish romances as inspirers, but the romances themselves have been left to the scholars and the antiquarians. This is not the position that Irish literature ought to fill. It does undoubtedly tell us much of the most ancient legends of modern Europe which could not have been known without it; but this is not its sole, or even its chief claim to be heard. It is itself the connecting-link between the Old World and the New, written, so far as can be ascertained, at the time when the literary energies of the ancient world were dead, when the literatures of modern Europe had not been born,[FN#1] in a country that had no share in the ancient civilisation of Rome, among a people which still retained many legends and possibly a rudimentary literature drawn from ancient Celtic sources, and was producing the men who were the earliest classical scholars of the modern world. [FN#1] The only possible exceptions to this, assuming the latest possible date for the Irish work, and the earliest date for others, are the kindred Welsh literature and that of the Anglo-Saxon invaders of Britain.