“You made me play before I was ready. You gave me only eight
stage rehearsals, and there were only three full rehearsals of
the piece. I could not make up my mind to appear under such
conditions, but you insisted upon it. What I foresaw has come
to pass, and the result of the performance has even gone beyond
what I expected. One critic actually charges me with playing
Virginie in _L’Assommoir_ instead of _L’Aventurière_! May
Emile Augier and Zola absolve me! It is my first rebuff at the
_Comédie_, and it shall be my last. I warned you at the dress
rehearsal. You have gone too far. I now keep my word. When you
receive this letter I shall have left Paris. Be good enough,
Monsieur l’Administrateur, to accept my resignation as from
this moment.
Apr. 18, 1880. SARAH BERNHARDT.”
An immense commotion at once arose, as if some tremendous political
upheaval had occurred. Sarah took train and disappeared in the
country, just as on a similar occasion, years before, she had suddenly
gone off to Spain. The press, her fellow players, and the author of the
play all poured upon her head a shower of abuse. M. Sarcey prophesied:
“She had better not deceive herself. Her success will not be lasting.
She is not one of those _artistes_ who can bear the whole weight of a
piece on their own shoulders, and who require no assistance to hold the
public attention.”[27] The _Comédie_ took legal action against her,
and a few months later, when the suit was tried, Sarah was formally
deprived of her standing as _sociétaire_, of her portion of the reserve
fund, amounting to more than eight thousand dollars, and in addition
had to pay the _Française_ damages of twenty thousand dollars. She
hadn’t the money, but she soon earned it, on her first American tour.
So ended, for good and all, Bernhardt’s connection with the government
theatres; so abruptly did she turn a corner in her remarkable career.
From her retirement Sarah announced, absurdly enough, that she would
renounce the stage, and live by painting and sculpture, for these, she
said, brought her thirty thousand francs ($6,000) a year. As a matter
of fact, within two weeks she signed a contract with Henry E. Abbey,
who post-haste crossed the ocean for the purpose, to go to America. His
English agent, Jarrett, had long been importuning her to go. Now she
was glad to accept.[28]
Public-domain text, read in full here on John Shaqi.
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