At fourteen Helena finished the highest grade at the convent. This was
the end of her formal schooling, but she at once began a strenuous
and varied course of reading. She began with the Polish poets, of whom
there are several proudly cherished by their countrymen. It was the
family’s pleasant custom, fostered by the well-read Mr. Modrzejewski,
to read aloud in the winter evenings. In this way Helena learned
of Scott, Dickens, Dumas, George Sand, and many another. She had
neglected her German, and it was to stimulate an interest in the
disliked language that Mr. Modrzejewski proposed that she be taken to
see a German play. She was immensely excited, for it was seven years
since she had been to the theatre. The play was Schiller’s _Kabale und
Liebe_. She entered the theatre in a state of awe, she sat through the
performance in spellbound fascination, and the next morning with the
help of a dictionary began reading Schiller in German. Schiller became
for the time an overwhelming enthusiasm with her. She imagined herself
in love with him, and placed before her in her room his statuette, as a
kind of idol. Such extravagances as this, and the religious period that
preceded it, would have indicated to a discerning eye a promisingly
responsive and emotional nature. To those about her, however, even to
her mother, she was only a moody and at times excitable child whose
enthusiasm was to be repressed and whose future was doubtful. She
helped with the family work, as all did in this time of stress, but she
was living apart in a world of poetry, of vague and ardent dreams.
She was now taken to the theatre occasionally. Felix Benda had become
one of the popular actors of the local theatre. One day, when Helena
was about sixteen, he overheard her reciting to her sister. Surprised
and pleased, he took her next day to the house of one of the leading
actresses of the company, who as an artist of experience could judge
of the young girl’s chances of success on the stage. All this came
very suddenly. Helena had not seriously thought of a stage career.
The hearing was a trying ordeal, for she was terribly frightened.
After giving Helena a lesson or two, the actress was discouraging.
She advised Madame Opid to keep the young girl at home rather than
allow her to become a mediocre actress. For a while Helcia’s budding
ambitions were crushed.
Public-domain text, read in full here on John Shaqi.
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