After Helena had taken the name which she was to make so famous, there
followed a few quiet years during which her ambitions lay in abeyance.
When she was twenty her son Rudolphe was born. The little family,
and Madame Opid as well, moved to Bochnia, a little town in Austrian
Poland. Here it was that, owing to the circumstance that Bochnia
possessed salt mines, Mme. Modjeska had her first opportunity to appear
on a real stage. Some of the miners had been killed in an accident.
It occurred to the Modjeskis to give, for the benefit of the bereaved
families, some amateur theatricals. They met a friend, a dancing master
named Loboiko, who obtained a hall, hastily built some scenery and
acted as leading man of the company. There were but three others--a
young man who was the dancing master’s pupil, Helena as leading
lady, and Josephine, her younger sister. Stasia, their nine-year-old
niece, was prompter. The plays were two pieces now forgotten--_The
White Camelia_, in one act, in which Helena was a countess, and _The
Prima-Donna_, in which she was an Italian peasant girl who became an
actress. Delighted as she was to realize her cherished ambition to
appear on the stage before an actual audience, when the bell rang for
the rise of the curtain she was thoroughly frightened. Before she
went on she could not think of her lines, and she fairly shook with
nervousness. Yet once on the stage her words came to her and she found
herself, much to her surprise, quite at her ease. The dignitaries and
the country gentlemen of the district and the townspeople all turned
out for the performance, and for the two others that followed it, in
unexpectedly large numbers. Madame Modjeska’s acting, at this her first
opportunity for showing it, attracted attention. An actor and stage
manager from Warsaw, who happened to be in Bochnia and saw her act,
asked her how long she had been on the stage,--an amusing and pleasing
question,--and urged her to turn her eyes toward Warsaw. Such men
do not pay empty compliments, and Helena’s confidence now took new
hold. The prospect of going to Warsaw drove from her mind any idea of
becoming a German actress. It was Warsaw and the Imperial Theatre, or
die!
Public-domain text, read in full here on John Shaqi.
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