Hesperus; or, Forty-Five Dog-Post-Days: A Biography. Vol. II.Jean Paul
General
Hesperus; or, Forty-Five Dog-Post-Days: A Biography. Vol. II.
Jean Paul
Fiction
Our hero was received by the Princess in a more friendly manner than
even by the Prince. Joachime, Clotilda's lieutenant in office, had, in
addition to her cold angry friendliness, a _montre à régulateur_ rich
in jewels. In a public place it costs less than in a cabinet to cover
the inner man with the outer as with a theatrical mask. Victor, on
whom, besides, every _sorrow_ produced the witty effect of
_intoxication_, betrayed the former at most by the exuberance of his
vivacity.
A woman betrays herself by the opposite,--Clotilda by nothing. He
expressed to her in the singular stunned state into which outer tones
of joy and inner fantasies put one, when they come together like two
streams meeting, the following ideas: "Were I the Goddess of delight
(if there is one), I would have it strike three; round the chandeliers
I would draw prismatic colors, or in fact would hang them up in the
cabinets and diffuse through the dancing-hall with incense a magic
twilight,--then I should have to set back the tones of the orchestra
through so many apartments, that nothing of the music should find its
way hither but a soft echo,--and then if in the glimmering maze,
breathing throughout with melodies, the people did not, after some
silent movements, feel like sinking away with ecstasy, I greatly
mistake." ... "Add further," said she, "in order that we too may have
one, that we stay here and observe the dissolving."
But his composure hardly ever at any ball survived the minuet. After
the first din was over, at least about the witching hour, his whole
soul was always dissolved into a poetic melancholy which hardly left
him the mastery of his eyes. Besides the tones, I can further adduce
the _motion_ as an explanation of this phenomenon: all motion, in the
first place, is sublime,--that is to say, of great masses; or rather
every quick motion imparts to the object the greatness of the space
hurried through: hence, in contrast with the end in view, objects in
motion are more comic than those at rest. Secondly, the movement of men
imaged to him their fluttering by, their fleeing into graves; often at
night he would stop in sad musing under the windows of houses, where
they were dancing in the second story, and look up, and the gliding by
of heads in their movement was to him the mad dance of _ignes fatui_ in
the churchyard.
Public-domain text, read in full here on John Shaqi.
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