Heu-Heu, or The monsterHaggard, H. Rider (Henry Rider)
Science
Heu-Heu, or The monster
Haggard, H. Rider (Henry Rider)
Adventure stories; Monsters -- Fiction; Quatermain, Allan (Fictitious character) -- Fiction; South Africa -- Fiction
“Because the Bushmen told me, Baas. They said that their fathers, a
thousand years ago, knew this Heu-Heu far away, and that they left that
part of the country because of him as they never slept well at night
there, just like a Boer when another Boer comes and builds a house
within six miles of him, Baas. I think they meant that they heard
Heu-Heu when he talked, for they told me that their
great-great-grand-fathers could hear him doing it and beating his
breast when he was miles away. But I daresay they lied, for I don’t
believe they really knew anything about Heu-Heu, or who painted his
portrait on the rock, Baas.”
“No,” I answered, “nor do I. Well, Hans, I think I have had
enough of your friend Heu-Heu for this evening, and should like to go
back to bed.”
“Yes, Baas, so should I, Baas. Still, take another good look at him
before you leave. You don’t see a picture like that every night, Baas,
and you know you wanted to come.”
Now I would have kicked Hans again, but luckily I remembered those
nails in his pocket in time, so, after one lingering glance, I only
rose and loftily motioned to him to lead on.
This was the last that I saw of the likeness of Heu-Heu or Beelzebub,
or whoever the monster may have been. Somehow, although I intended to
return to examine it more closely by the light of day, when morning
came I thought that I would not risk another scramble over that ledge
but would be satisfied with the memory of first impressions. These they
say, are always the best—like first kisses, as Hans added when I
explained this to him.
Not that I could forget Heu-Heu; on the contrary, it is not too much to
say that this devilish creature haunted me. I could not dismiss that
picture as some mere flight of distorted savage imagination. From a
hundred characteristics I knew or thought I knew it, erroneously as I
now believe, to be Bushmen’s work and was certain that no Bushman, even
if he had _delirium tremens_—not a complaint from which these people
ever suffered, because they lacked the opportunity of doing so, could
have evolved this monstrous creation out of his own soul—if a Bushman
has a soul. No, Bushman or not, that artist was drawing something that
he had seen, or thought that he had seen.
Of this there were several indications. Thus, on Heu-Heu’s right arm
the elbow joint was much swollen as though he had once suffered an
injury there. Again, the claw of one of his horrible hands—the left, I
think—was broken and divided at the point. Further, there was a wart or
protuberance upon the brow, just beneath where the long iron-gray tufts
of hair parted in the middle and hung down on each side of the
demoniacal, womanish face. Now the painter must have remembered these
blemishes and set them down faithfully, copying from some original,
real or imagined. Certainly, I reflected, he would not have invented
them.
Public-domain text, read in full here on John Shaqi.
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