Hidden Symbolism of Alchemy and the Occult ArtsSilberer, Herbert
Religion
Hidden Symbolism of Alchemy and the Occult Arts
Silberer, Herbert
Alchemy; Society of Rosicrucians; Symbolism (Psychology)
Already in the lecanomantic experiments we are struck by the dying of the
figure (old man) that represents the old form of conscience that has been
overcome. It is that part of Lea’s psyche that resists the new, after the
manner of old people (father type). In order that the new may be
suppressed, it must be immolated; at every step in his evolution man must
give up something; not without sacrifice, not without renunciation, is the
better attained. The sacrifice must come, of course, before the new
reformed life begins. The hermetic representations do not indeed always
follow chronological order, yet the sacrifice is usually placed at the
beginning, as introversion. In the parable the wanderer kills the lion,
well at the beginning. He sacrifices something in so doing. He kills
himself, i.e., a part of himself, in order to be able to rise renewed
(regenerated). This process is the first mystical death, also called by
the alchemists, putrefaction or the blacks. This death is often fused with
the symbol of introversion, because both can appear under the symbol of
the entrance into the mother or earth. Only by closer examination can it
sometimes be seen which process is chiefly intended.
“And that shalt thou know my son, whoso does not know how to kill, and to
bring about a rebirth, to make the spirits revive, to purify, to make
bright and clear ... he as yet knows nothing and will accomplish nothing.”
(Siebengestirn, p. 21.)
“These are the two serpents sent by Juno (which is the metallic nature)
which the strong Hercules (i.e., the wise man in his cradle) has to
strangle, i.e., to overpower and kill, in order in the beginning of his
work to have them rot, be destroyed and to bear.” (Flamel, p. 54.)
Again and again the masters declare that one cannot attain to true
progress except by means of the blacks, death and putrefaction.
In the “Clavis philosophiae et alchymiae Fluddanae,” of the year 1633, we
read: “Know then that it is the duty of spiritual alchemy to mortify and
to refine all obscuring prejudice as corruptible and vain, and so break
down the tents of darkness and ignorance, so that that imperishable but
still beclouded spirit may be free and grow and multiply in us through the
help of the fiery spirit, full of grace, which God so kindly moistened, so
as to increase it from a grain to a mountain. That is the true alchemy of
which I am speaking, that which can multiply in me that rectangular stone,
which is the cornerstone of my life and my soul, so that the dead in me
shall be awakened anew, and arise from the old nature that had become
corrupted in Adam, as a new man who is new and living in Christ, and
therefore in that rectangular stone....”
Public-domain text, read in full here on John Shaqi.
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