High Noon: A New Sequel to 'Three Weeks' — John Shaqi
High Noon: A New Sequel to 'Three Weeks'
General
High Noon: A New Sequel to 'Three Weeks'
British -- Europe -- Fiction; Love stories
"There is a strange resemblance," he mused, after he had carried the
miniature where the light shone full upon it. Was it the strong
predominance of the Russian type which stamped alike the features of
his dead Queen and the living lady he had seen that evening? Paul
could not tell. He closed the case reluctantly. Never had he expected
to see another comparable to his long lost love. Well, he was
drifting, perhaps. Who knew?
And yet he felt again, as his hand rested upon the precious casket,
that _she_ in her wisdom must be cognizant of it all. Indeed, Paul had
gone through the years of his manhood with a feeling that her presence
was always near to him. The conviction that had come to him as he had
stood in the Cathedral at Langres was too strong to be shaken off.
Whatever happened--and Paul meant to win the woman he had that night
left in the _Faubourg St. Germain_--he felt sure his Queen had willed
it.
Such is the inexplicable influence that the dead sometimes exert. I
will not try to tell you more of that now. It would take too long. And
I should first have to tell you about many sad things that happened a
score of years ago, if you do not know them already. And then I might
become melancholy. It is my pleasure instead to tell another story
altogether, which is joyful and appropriate. And it is this very story
which I mean to tell in this book.
CHAPTER XVI
When Paul rang the bell at the Dalmatian Embassy the next afternoon it
was with a firm determination to learn more of the Countess's guest.
If she would not tell him about herself, then he would find out from
the wife of the Ambassador.
The Countess had always warmly welcomed Paul, when Count Oreshefski
presided over the legation house in London, and Paul had responded to
her motherly interest by opening his heart to a greater extent even
than to his own mother, the proud Lady Henrietta. For the Countess had
known and loved his Queen--a fact which formed an unalterable bond of
sympathy between them.
Paul wandered about the drawing-room, when the footman had departed
with his card, too restless--too eager--to be seated. In one of his
turns about the room his eyes alighted on an object which instantly
arrested his idle steps. It was a woman's photograph, lying on a small
table, as though placed there by a careless hand and then forgotten. A
tiny object to work such an effect, but it was enough to bring Paul to
a round halt.
There, looking up at him from the card, was the face of the woman he
had come to see--Mademoiselle Vseslavitch. There was a wistful,
touching expression to the pictured face, but it was a remarkably fine
likeness, and Paul glowed with secret joy as he hid it away in his
breast-pocket, murmuring inaudibly to be forgiven for the theft,
but--alas for the cause of honesty--gleefully unrepentant.
Public-domain text, read in full here on John Shaqi.
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