High Noon: A New Sequel to 'Three Weeks' — John Shaqi
High Noon: A New Sequel to 'Three Weeks'
General
High Noon: A New Sequel to 'Three Weeks'
British -- Europe -- Fiction; Love stories
Up the lake Paul rowed briskly, working off his ill-humour in the
sheer exertion of his favorite sport. The splendid play of his
powerful muscles carried his light craft rapidly over the blue water,
until he reached a secluded little bay where he had often gone to
escape from troublesome travellers at the hotel. Beaching his skiff,
he threw himself at full length on the rocky shore, where he lay quite
still, drinking in the beauty of the prospect.
Occasionally the wind bore to him from some distant ridge or hidden
glen the tinkling of a cow-bell, as the herd wandered here and there
grazing upon the green uplands. Once--for an instant only--a mirage
appeared upon the southern sky, as if in mute testimony to the
transitory character of all earthy things, the fleeting phases of
human life. It seemed to Paul, with a score of years dimming the vista
of his young manhood, not more shadowy and unreal than the wonderful
scenes in which years before he had played all too brief a part.
Little by little, as he lay motionless, the sun stole toward the
zenith. But to Paul, alone with his memories, the earth seemed bathed
in a luminous pall--a mysterious golden shroud.
"Oh! God," he cried, out of the anguish of his soul, "what a hideous
world! Beneath all this painted surface, this bedizened face of earth,
lies naught but the yawning maw of the insatiable universe. This very
lake, with its countenance covered with rippling smiles, is only a
cruel monster waiting to devour. Everything, even the most beautiful,
typifies the inexorable laws of Fate and the futility of man's
struggle with the forces he knows not."
He looked far off, wistfully, to the great pile of the Buergenstock,
the one place in the whole world that for him was most rich in tender
memories. And yet he knew that its undulating blueness hid hard,
relentless rock, as unyielding as the very hand of death itself.
"Love," he said slowly, his heart swelling with the deep sense of his
loss, "love should lead to happiness and peace--not to conflict,
murder, and sudden death."
And he lay there pondering, until at last, as always in the end, his
better genius triumphed. And when the evening sunshine turned the
windows of the distant hamlets into tongues of flame and set the
waters in the little bay a-dancing, he rowed slowly back to the hotel,
his own resourceful English self again.
Far up on the side of the Buergenstock a dim light shone--a faint glow,
until a cloud bank, stealing ever nearer, nearer, crept between like
some soft curtain, and the silent mystery of the evening fell upon the
lake, and wrapped the mountains in a velvet pall.
CHAPTER IV
Public-domain text, read in full here on John Shaqi.
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