High society : $b Advice as to social campaigning, and hints on the management of dowagers, dinners, debutantes, dances, and the thousand and one diversions of persons of qualityChappell, George S. (George Shepard)
General
High society : $b Advice as to social campaigning, and hints on the management of dowagers, dinners, debutantes, dances, and the thousand and one diversions of persons of quality
Chappell, George S. (George Shepard)
American wit and humor; Caricatures and cartoons -- England; English wit and humor, Pictorial
And this is the hideous conclusion of the whole affair. The Duke is
indubitably not as young as he used to be, and the jazz dance has
brought on a complete breakdown. He has to be ignominiously led away to
Mortgaged Towers, the ducal estate, in a bath chair. The Blivvins family
plumbs the utmost depths of gloom--and all bets on Angelica’s marriage
into the British peerage have been officially declared off.
[Illustration]
[Illustration]
THE DANCE OF THE GHOULS
A view of the extreme left wing of the balcony, during a piano recital
by the newest Russian prodigy. The members of this exclusive little
group simply don’t know how they would ever get along without music. If
it weren’t for music, they would be absolutely powerless to express
their souls. Nothing is over their heads. Debussy to them is just like
nothing at all to you or me, and they whistle catchy little tunes by
Rimsky-Korsakoff in their bath-tubs. They are shown here still a trifle
spent with enthusiasm after the pianist has obliged with one of his own
compositions, entitled, “Dance of the Ghouls.”
[Illustration]
LONG MAY HE PERMANENTLY WAVE
The world-famous pianist, who was once told that he had a Beethoven-like
brow and has been dressing the part ever since. He can only manage to
work in one concert annually; the rest of his time is taken up in making
phonograph and pianola records, posing for heavily shadowed photographs,
paying premiums for the insurance on his hands, and lending atmosphere
and tone to the more exclusive studio teas.
[Illustration]
NO COAXING
The society soprano--always a feature of the programme for the charity
concert. It is pretty to see how gladly she volunteers her services for
such events; there is no false modesty about it, no hanging back, no
making excuses, no insistence on being coaxed, no niggardliness as to
encores. No, she steps right forward, brings her music, supplies her own
accompanist, and just lets herself go. She is here portrayed at work,
rendering, by her own request, “Baby’s Boat’s the Silver Moon.”
On the Trail of the Concert Lovers
_“Among Those Present”--at All the Smart Concert Halls_
[Illustration]
THE INFANT PRODIGY
The little dear has been appearing in public for the last four
years--she is soon to celebrate her seventh birthday--and has played in
every country in Europe, before all the royalty worth knowing, adding
materially to the uneasiness of the crowned heads. This wonder-kiddie,
as her press-agent so affectionately calls her, never had a lesson in
her life; it’s a gift. It has also proved to be a gift to the father of
the phenomenon--he hasn’t done a day’s work in years.
[Illustration]
THE MALE DUET
Public-domain text, read in full here on John Shaqi.
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