High society : $b Advice as to social campaigning, and hints on the management of dowagers, dinners, debutantes, dances, and the thousand and one diversions of persons of qualityChappell, George S. (George Shepard)
General
High society : $b Advice as to social campaigning, and hints on the management of dowagers, dinners, debutantes, dances, and the thousand and one diversions of persons of quality
Chappell, George S. (George Shepard)
American wit and humor; Caricatures and cartoons -- England; English wit and humor, Pictorial
When first love takes the form of hero worship, there is practically
nothing that can be done about it. The case illustrated below is almost
at the last stage, as is shown by the patient’s complete loss of
appetite. The object of her maiden dreams is her mother’s guest, a
returned big-game hunter--one of those bronze-skinned, clean-limbed
outdoor men. Really, these people with clean limbs and chiseled features
ought not to be at large; they get a young girl’s innocent inhibitions
and major complexes all tangled up.
[Illustration]
[Illustration]
THE PROFESSIONAL SIREN
Don’t dwell too long on the picture above, gentle reader; if you have
any heart at all, you will just break down and have a good hard cry.
This is one of the bitterest phases of first love--the case of the
adolescent moth and the professional flame. The youth is at that tender
age where he classes all women under thirty-five as crude, and all
unmarried women as uninteresting. The lady in the case is just about old
enough to be a nice, understanding great-aunt. She is graciously
allowing the youth to pour out his heart to her in a series of home-made
sonnets,--after all, his little stunt helps to pass away the time until
her next dance.
The Throes of First Love, in Society
_A Few Fashionable Little Variations on the Oldest Theme in the World_
LOVE AT FIRST SIGHT
The great romantic tragedies are no more tragic than an affair like
this; for sheer bitterness, the epic of little Gladys and her adored
Unknown makes “Romeo and Juliet” look like a bedroom farce. While
walking in the park with her nurse, little Gladys, up to that moment but
a headless slip of a girl, comes face to face with her fate--her
Soul-Mate, her Ineffable One, her Man. It is love at first sight; but
the anguished lovers are torn asunder almost immediately. The cruel
nurse drags the stricken heroine home to her nap, while the Unknown’s
father insists that he must deport himself like a little Man.
[Illustration]
THE DANGEROUS DÉBUTANTE
And now we must witness the futile yearnings of the youth who has fallen
in love with the most popular débutante of the season. He is virtually
in a state of shell-shock. The thing has hit him so hard that all power
of speech has completely left him. It is seldom that love affects anyone
this way, in later life. You just take these little things as all in the
day’s work, after you’ve had a few years’ experience with them.
FIRST LOVE--AND THE NOBLE THEATRICAL GOD
Here is an experience that comes but eight or ten times to a young
girl--her worship of the dramatic hero. There are few purer forms of
love than these idylls, and few more lucrative emotions--from the
box-office standpoint. The youthful worshippers, chastely chaperoned by
a vestal, attend every matinée, to bask in the glances of their idol.
All their childish pennies are scraped together to buy the front row
seats. It’s just the old, old story--it’s the woman that pays, and pays,
and pays.
[Illustration]
Public-domain text, read in full here on John Shaqi.
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