High society : $b Advice as to social campaigning, and hints on the management of dowagers, dinners, debutantes, dances, and the thousand and one diversions of persons of quality — John Shaqi
High society : $b Advice as to social campaigning, and hints on the management of dowagers, dinners, debutantes, dances, and the thousand and one diversions of persons of qualityChappell, George S. (George Shepard)
General
High society : $b Advice as to social campaigning, and hints on the management of dowagers, dinners, debutantes, dances, and the thousand and one diversions of persons of quality
Chappell, George S. (George Shepard)
American wit and humor; Caricatures and cartoons -- England; English wit and humor, Pictorial
The maids are at last coming around to the modern way of thinking--that
in unions there is strength. Here is an intimate glimpse of what will
happen if they ever start striking. The maid is obeying the first law of
all agitators,---be sure to strike at the most inconvenient time. She is
leaving her employer, so to speak, sunk--just on the point of throwing
up the sponge and going down for the third and last time.
THE ULTIMATE HORROR
There are many terrible things in this world, as someone has so cleverly
said, but the worst of all would be a strike of footmen. Why, all social
life would be completely paralyzed by it. Just see what a cruel thing it
would be. The footmen in this case are striking for shorter hours,
higher wages, and looser liveries; they have walked out in the middle of
the caviarre, leaving the guests face to face with starvation--and, what
is worse, face to face with each other.
[Illustration]
THE PORTRAITS OF OLD
Having your portrait painted, in the good old days, used to be a
comparatively simple matter. It was as much a part of a woman’s social
duties as going to the opera, or having her hair marcelled. All you
needed was a black evening gown, a lap-dog, a cheque for $10,000, and an
appointment at the studio of Mr. John Sargent.
[Illustration]
The Art of Fashionable Portraiture
_You Can’t Quite Be “It,” Without the Aid of a Modernist Artist_
[Illustration]
GO TO THE AUNT
It used to be considered awfully radical and just the least bit
Bohemian, to have your portrait done by a bearded foreigner like
Monsieur Chartran,--local talent was simply nowhere. It was always
obligatory, while posing for the portrait, to bring along a trained
aunt, to keep off draughts and gentlemen callers. When the canvas was
done, you could almost always tell, in six guesses, who the portrait was
intended to be.
[Illustration]
THE OVAL-SHAPED LADY
But having one’s portrait merely _painted_ isn’t being done any more.
The thing to do now is to lease a sculptor, and have him do a simple
little portrait in marble, and call it “Mrs. ...--a Mood.” Prospective
sitters for modernist busts should remember never to show surprise at
the finished product. Never behave like the lady in the sketch; remember
that only novices faint on seeing the completed masterpiece. The thing
to do is to clasp the hands, gaze yearningly at the ceiling and murmur
in passionate undertones, “It is wonderful--but wonderful! The feeling,
the soul, the ego--how could you know?”
[Illustration]
[Illustration]
THE HUMAN EGG
If you want to go that far, you can have your portrait done by one of
the cubist sculptors, who are causing such a furor--among themselves.
Just ask the first sculptor you meet at dinner if he won’t do a bust of
you; he is sure to be a cubist. He will only be too glad to oblige with
a charming trifle, looking rather like an egg after a hard Easter, and
to name it “Arrangement: Mrs. B.”
THE NUDE SOUL
Public-domain text, read in full here on John Shaqi.
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