Highlands (Scotland) -- Fiction; Historical fiction; Scotland -- History -- 18th century -- Fiction
"It is done," she mumbled in reply, as much to herself as to the girl.
Laying her things absently on the table, she pulled loose the comb
which bound the iron-grey locks behind her head, and shook them free
about her shoulders. At this simple act Mary drew a startled breath,
and it was all she could do to suppress a gasp of fright. For here,
truly, was the classic apparition of a witch: the ragged, wind-blown
dress and shawl, the long, wild hair and intent, burning eyes. This,
the woman noticed.
"Not much to look at, am I?" At first she glared as she said this,
then turned away, remembering to whom she spoke. "There was a time,
Mary, and perhaps not so long ago as you might imagine, when men said
I was still quite fair. But time. . .and poison. . .have done their
work." She grew silent, and bitter, once more. But something inside
the girl urged her now to draw the woman out, not leave her alone in
this darkness.
She got down from the bed and stepped timidly towards her. Placing one
hand on her shoulder, with the other she lifted a stray lock of her
mother's hair and tucked it gently behind her ear. The witch pulled
forward and away, but Mary persisted. She came close again, and this
time put her arms around her full, and kissed her lightly on the
temple.
"Mother," she said, the word arresting the other's anger. "Won't you
tell me how it was for you, all these years, and what you're feeling
now?"
"What does it matter, girl? The wine is drawn and must be drunk." But
ominous as these words sounded, her daughter brushed them aside.
Because now, her eyes clouding with tears, she understood what was
taking place in her own heart: an orphan's awkward and tremulous love
for her true parent.
"But it does matter," she insisted, "to you. And to me."
Their eyes met. For a moment Mary thought the woman would weep, and
embrace her, and all would be well. But the aged eyes knew no more
tears. She turned away.
"All right, Mary, I'll tell you, though I've little doubt you will
stop me halfway. But just now I'm exhausted. If you really want to
help me, put on the kettle for tea, and bring me a rye cake. The
weather is turning," she went on, rubbing her arthritic shoulder.
"We'll have no visitors tonight, at least. There'll be hours of time
for talk."
"Promise me, then. Tonight you'll open your heart?" Her mother gave a
queer sort of laugh.
"What little is left of it. Yes, yes, child, I promise. Now bring me
the tea and give me a moment's peace." Mary did as she asked.
Six
That same afternoon a single rider approached the steward's cottage,
in which now only Michael's mother remained. Hearing hoofbeats, she
went quickly to the window and pulled back the heavy curtains. Though
this woman had little left to lose, she was concerned almost in spite
of herself for the safety of her niece. And in her darkened frame of
mind, she could not help but fear the worst.
Public-domain text, read in full here on John Shaqi.
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