Highlands (Scotland) -- Fiction; Historical fiction; Scotland -- History -- 18th century -- Fiction
And when she had finished, Michael was there beside her, and her own
flesh still lived. Her eyes, which had misted and looked into places
dark and unfathomable, focused again on that which was real: stone,
fire, and flesh. And in this return to daylight senses she no longer
felt an all-conquering fear of the strange evens through which she had
passed, but only a restless curiosity, and reborn questioning of the
sinister forces which had then seemed so strong and undeniable.
"Can you tell me, Michael, what these things portend? Do you believe
in the powers that my mother worshipped and feared?"
"No, love. I do not believe in that kind of magic, nor have I any use
for miracles, outside the one great miracle of Life. Still less do I
believe in demons and sorcery now, for having heard your tale. It only
shows me, more clearly than ever, the power of superstition to
deceive. Would you like me to show you the key to the mystery, the
weak link which shatters the entire chain of seeming?"
"Yes," she replied. "More than anything."
"The answer is simple," he said. "It is music: a magic that is real,
disproving a magic that is not."
"I don't understand."
"Bagpipes,
Mary. Bagpipes. Twice you heard them, and twice after saw the
`spirits' which gave credence to all else, the foundation on which the
whole illusion was built. Here is what must have happened.
"The first spirit I can answer for plainly, for it was myself. James
and I had at last crossed the high road, and returned to land we could
think of as our own. He had been given the pipes by a crippled
soldier, one of our own, who took us in along the way. And now James
would be silent no longer. He insisted that we return as proud
veterans, and not skulking thieves. So as we parted ways at the last,
and when he deemed me safely hidden by the rise that shields the
cottage, he began to play, and marched off in defiant glory.
"Shortly afterward I found you in tears, lying across a grave that
bore my name. It broke my heart to leave you there, even with the
spoken promise---you did not imagine it---that I would come back to
you. But I was determined to bring no danger upon you, or upon this
house, until the pursuit had cooled, and the chance of discovery grown
less. Looking back, it was a cruel mistake. But I was obsessed. I was
going
to escape, and bring no danger upon you. I hope you can understand,
and forgive me."
"Of course," said his mother, for both of them.
"Thank you," he said quietly. Mary nodded gently, and asked him to
continue.
"All right.... And yet again, by the Standing Stone, you heard
bagpipes. Did they play Scotland the Brave?"
"Yes," she answered, understanding at last.
"It is the only song James knew, or ever wanted to learn. It was he
you saw: pale with affliction, kilted as a sign of defiance, as he
could not be by day. He must have been half dead by then.....
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account