Occasionally the shield was converted into a formidable weapon of offence
by having a strong and long pike screwed into the centre. This can easily
be understood when the manner of fighting adopted by the Highlanders is
considered. On approaching the enemy, “after discharging their pieces,
they threw them away, as was their custom, drew their broadswords,” raised
their targets, and rushed forward before the smoke had cleared away,
generally scattering their opponents by the fury and impetuosity of their
attack, as was the case at Killiecrankie, Prestonpans, and other
engagements. In the coat of arms granted to M‘Pherson of Clunie in 1672,
and emblazoned upon the green banner of the clan, the supporters are two
Highlanders dressed as they fought at the Battle of the Shirts--each is
armed with a shield having this long spike. Rae also tells us, in his
history of the Rebellion in 1715, that the Laird of Luss joined the
Highland host followed by “forty or fifty stately fellows, in their hose
and belted plaids, armed each of them with a well-fixed gun on their
shoulders, a strong handsome target, with a sharp-pointed steel of about
half an ell in length screwed into the navel of it,” &c. These targets
generally have so much similarity in design, that we cannot help thinking
they must have been made at one place in great quantities. In the
specimens figured by Skelton, Logan, and Dr Stuart, this likeness is very
apparent.
The question naturally suggests itself, Where were these made? As a rule,
not in the Highlands; my own opinion being that, for the West Highlands,
at all events, they were made in Glasgow. In confirmation of this opinion,
my friend the late Joseph Robertson told me that, in the MS. account of
one of Queen Mary’s masques, Highlanders are mentioned as appearing in
their native dress of skins, and having Glasgow targets. Mr Dickson was
kind enough to make search for this, but did not succeed in finding it,
although he also thinks he saw it somewhere taken notice of.
Public-domain text, read in full here on John Shaqi.
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