We will next look at the impressive monument of William of Kilkenny, Bishop of Ely for three years under Henry the Third. He gave great offence through being consecrated bishop by the Archbishop of Canterbury in Italy, instead of in England, where it was felt that both prelates ought to have been attending to their duties at home; he, moreover, died abroad on a journey to Spain, whither he was going on the King's business. A traveller and statesman, he was also a generous promoter of education, as is shown by his founding scholarships at Barnwell Priory. A recumbent figure holding a crozier, he rests on a pillow as if asleep. Next we reach the tomb of Bishop Redman, who held the See for a very short time in the opening years of the sixteenth century. The tomb is of fine Perpendicular work, and the Bishop lies under a canopy rich in armorial bearings; but the figure is strangely truncated at the foot, which derogates not a little from its beauty. Retracing our steps for a few yards, we find beneath our feet a brass which records one of the tragedies that the Minster has witnessed; here lies buried Basevi, the gifted architect of the Fitzwilliam Museum at Cambridge, who met with his death in 1845 while accompanying Dean Peacock over the work of repair going on in the western tower. The Dean had just a moment before given the architect a caution to take care how he walked. Basevi, familiar with scaffolding, smiled at the advice, and going on with his hands in his pockets, came to a hole he had not perceived, and fell through in a way that would have been well-nigh impossible had his hands been free; his feet struck the pavement below with a jar so intense that death was almost instantaneous. And now we end our tour round these sepulchres and monuments by contemplating all that remains of what was once the rallying centre for those countless pilgrims who travelled hither in search of spiritual and physical benefit--the shrine of St. Etheldreda. It was once enriched with gems and costly hangings. It has been told how Queen Emma, in 1016, gave it a "purple cloth worked with gold and set with jewels."[228] Sixty years later the shrine is described as "made in part of silver, as adorned with pearls, emeralds, onyxes, alamandine stones, embossed with images in relief, among which were two lions carved in crystal, also four figures of angels carved in ivory." Such it was made by Theodwin, who was Abbot for three years under William the Conqueror, and such he left it. After another sixty years it was robbed by Bishop Nigel, who took away much of its gold and silver and used it for his own purposes. [Footnote 228: See p. 314.]