Highways of Canadian LiteratureLogan, J. D. (John Daniel)
History
Highways of Canadian Literature
Logan, J. D. (John Daniel)
Canadian literature -- History and criticism
Denison presents his material in three one-act plays with four to six
characters, and in one four-act play with fourteen characters. It is the
business of the dramatic critic to estimate Denison’s success in
dramaturgy, to determine whether they are well-constructed and actable
plays. On the strictly literary side, his plays in _The Unheroic North_,
despite their sordid or vulgarized characters, and despite the sections
of society and life presented in them, intrigue the attention and make
interesting and diverting reading. As satires on the methods and ideals
of certain Canadian romantic fictionists, on the social life at least of
certain Canadian communities Denison’s realistic dramas are a
significant beginning of creative Stage Drama in Canada.
Part III.
Special and Miscellaneous
Literature
(1760-1924)
CHAPTER XXV
_The_ War Poetry _of_ Canada
MRS. MOODIE—ANNIE ROTHWELL CHRISTIE—ISABELLA VALANCY CRAWFORD—
JOHN MCCRAE—CANADIAN POEMS OF THE GREAT WAR.
I. THE POETRY OF THE CIVIL REBELLION
AND THE SOUTH AFRICAN WAR
It is a literary phenomenon by itself that the best or most popular of
the inspirational and the commemorative war verse by permanently
resident _émigrés_ or native-born Canadians was the work of the
country’s women poets. No samples of martial verse inspired by the War
of 1812-14 seem to be extant. The records of martial verse produced in
Canada begin with the Civil War of 1837-38 and the inspirational war
lyrics of Mrs. Susanna Moodie.
Fifteen years after the war opened, Mrs. Moodie’s martial lyrics were
published in her _Roughing It In The Bush_ (1852, two vols.). In ‘The
Advertisement’ (which is a sort of publisher’s Preface) to this work,
the publisher recounts the origin and effect of Mrs. Moodie’s
inspirational war verse. ‘During the rebellion,’ he says, ‘her loyal
lyrics, prompted by strong affection for her native country [England],
were circulated and sung throughout the colony [Ontario], and produced a
great effect in rousing an enthusiastic feeling in favor of public
order.’ But Mrs. Moodie herself modestly remarks (_op. cit. sup._, Vol.
2):—
I must own that my British spirit was fairly aroused, and as I
could not aid in subduing the enemies of my beloved country with
my arm, I did what little I could to serve the good cause with
my pen. It may probably amuse my readers, to give them a few
specimens of these loyal staves, which were widely circulated
through the colony at the time.
It will suffice to quote the first and last stanzas of her _Address to
the Freemen of Canada_ (_op. cit. sup._, p. 191) in order to show that
Mrs. Moodie wrote no mediocre martial verse of the inspirational type:—
Public-domain text, read in full here on John Shaqi.
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