Highways of Canadian LiteratureLogan, J. D. (John Daniel)
History
Highways of Canadian Literature
Logan, J. D. (John Daniel)
Canadian literature -- History and criticism
By the Emigré Literature of Canada we mean in general the poetry and
prose written in Canada by permanent residents who were not born in any
of the British North American Provinces. It is a moot question whether
the literary historian should class the poetry of Isabella Valancy
Crawford and of William Henry Drummond under the category of Emigré
Canadian Literature. They were born outside of Canada; but they came to
Canada at an age when their minds were young and unformed and readily
susceptible to Canadian influences, naturalistic, social, and spiritual.
Poets like Heavysege and John Reade came to Canada when their minds were
mature and their attitudes to life were fixed. It is certain that
Valancy Crawford and W. H. Drummond did write from the Canadian point of
view and did influence Canadian literature, as well as contribute,
somewhat uniquely, to its quantity and quality. It is equally certain
that several of the maturely minded _émigré_ writers influenced, by
their presence and example, the development of Canadian Literature.
From the point of view of influence, both of production and example, we
include in the one category of Emigré Literature the poetry and prose of
the permanent residents who came to Canada when mature in mind and of
those who came in childhood. With the exception of the poetry of Miss
Crawford and W. H. Drummond the Emigré Literature of Canada is
derivative in form and substance. In Miss Crawford’s case we discover a
considerable element of Canadian theme and a form of her own. In the
case of Drummond we come upon what Louis Fréchette has called a
‘Pathfinder’—a poet with a new substance and a new form absolutely and
uniquely indigenous to Canada.
Though Confederation in 1867 sounded the death knell of the Emigré
Literature of Canada, actual production of it continued for a decade or
two past Confederation. It may be said to have lasted for about a
hundred years; or from the Fall of Montreal in 1760 till the publication
of Charles G. D. Roberts’ _In Divers Tones_ (1887) twenty years after
Confederation.
Public-domain text, read in full here on John Shaqi.
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