The epithet nativistic as applied to Canadian Literature marks a two-fold contrast. On one side, it distinguishes the literature written by natives of any of the Maritime Provinces and the Canadas (Ontario and Quebec) from the earlier Incidental or Émigré Literature. On the other side, it distinguishes the literature written by native-born men and women _before_ Confederation from the Native and National Literature written by native-born poets and prosemen _after_ Confederation. Nativistic Literature is ‘native’ only in the sense of being the indigenous product of the Unconfederated Provinces; but it is neither ‘native’ nor ‘national’ in the sense of being the product of the Confederated Provinces which form the Dominion of Canada. But since this Nativistic Literature was written by native-born sons and daughters of the Provinces in a period when these Provinces were, so to put it, ‘on the way’ to political union, and since it has permanent significance, it is classified retroactively as part of the genuine literature of Canada. Thus Richardson’s romances (written and set in Ontario), Haliburton’s satiric comedy (written and set in Nova Scotia), Sangster’s and Mair’s poetry (written and set in Ontario) belong to the Nativistic Literature of Canada. But the poetry of Roberts, Lampman, Carman, Campbell, D. C. Scott, Sir Gilbert Parker, and Pauline Johnson, and the prose fiction of Miss Marshall Saunders, Roberts, Parker, and Scott, as well as the verse and prose of later native-born writers, belong to the Native and National Literature of Canada. Yet both the Nativistic and the Native and National Literature are equally _Canadian_, inasmuch as each expresses with beauty or truth the spirit and life of the people and the physiognomy and moods of Nature in her seasons in Canada.