Highways of Canadian LiteratureLogan, J. D. (John Daniel)
History
Highways of Canadian Literature
Logan, J. D. (John Daniel)
Canadian literature -- History and criticism
To take this point of view about the aim and significance of Haliburton
as a satiric humorist is the first step towards a proper approach to his
humorous writings, and the only way rightly to estimate his importance
in Canadian, American, English, and world literature. It is a simple
matter to trace the origin of his genius and to show his place and
influences on Canadian, American, and English Literature.
Briefly, Haliburton’s satiric mood or temper was a recrudescence of the
revolutionary Loyalist mood or temper. He also inherited the Loyalist
love of British connection and an antipathy to republican institutions
and civilization, as in the United States. Further, in his time the
realistic revolt against the historical romance in fiction was under
way. Born with an inherited satiric temper, and finding to hand a great
problem, namely, the effecting of the Anglo-Saxon dream of Imperialistic
unity amongst the peoples of British origin, Haliburton decided to be a
satiric realist, and to have his satiric writings reach and move the
hearts of his compatriots in the Maritime Provinces and Canada and of
the people of the United States and in the United Kingdom. But as a
satirist he saw all the facts with a humorous appreciation, and in
presenting the facts of life, the psychology of society, the
idiosyncrasies of peoples, political institutions and culture and
civilization, as he saw them, Haliburton decided to write with realism
and truth but without rancor.
He was the _protégé_ of Joseph Howe; and when Howe founded ‘The Club,’ a
coterie of Nova Scotia wits, Haliburton contributed his share of the
skits in political and personal satire for which ‘The Club’ was famous.
These skits were derivative in manner. But in 1835 Haliburton invented a
method of his own and definitively set out on his career as a systematic
humorist, presenting his thoughts, ‘as the sunny side of common sense,’
in a series of sketches entitled _The Clockmaker; or The Sayings and
Doings of Sam Slick of Slickville_. These sketches were published in
Joseph Howe’s newspaper _The Novascotian_ (1835-36). There were
twenty-three of them. These were augmented to thirty-three, and were
published in book form by Joseph Howe, at Halifax, in 1837, and by
Richard Bentley, at London, in the same year. Bentley published a second
Series in 1838, and a third Series in 1840. Reprints appeared in the
United States, and translations in France and Germany.
Public-domain text, read in full here on John Shaqi.
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