Hilaire Belloc: No Alienated Man; A Study in Christian IntegrationWilhelmsen, Frederick D.
Religion
Hilaire Belloc: No Alienated Man; A Study in Christian Integration
Wilhelmsen, Frederick D.
Authors, English -- 20th century -- Biography; Belloc, Hilaire, 1870-1953
Yet those who have gone through this darkness and who have come out
again into the world of being opening out to the Being of God, can
understand the tragedy of the modern soul. It is a tragedy rooted in
a profound misunderstanding of the nature of being and knowledge.
Precisely where the tragedy begins is shrouded in mystery, but it may
perhaps be said that Joseph Conrad stands at the crossroads where
Western man deserted the last remaining traditional values and struck
out into the unknown. Conrad’s brilliant short story, “The Secret
Sharer,” is both symbolic and symptomatic of the crisis of alienation
modern man invented for himself.
A young sea captain, new to his exalted position as master of a
full-rigged ship, finds a man of his own years clinging to the bow
of the vessel. Alone and still somewhat unsure of himself before his
veteran crew, the captain’s heart goes out to the swimmer; unknown to
his crew, he hides the fellow aft in his cabin, only to discover that
he is harbouring a fugitive. The man is guilty of the unpremeditated
murder of one of the sailors who served under him in a nearby vessel
in which he had been chief mate. The captain looks upon the escaped
sailor as his double, and he feels in some strange way that he _is_
this other, this criminal. In order to find himself, he must rid
himself of his “double.” He permits the fugitive to escape by swimming
ashore, by means of a daring maneuver in which he almost destroys
his ship by sailing her within striking distance of the land, before
bringing her about on the new tack. When the vessel comes about on her
new tack, just short of piling up, the captain sees that his strange
friend and double has escaped by swimming to the land. A confidence in
himself surges through him, and he knows that he is now Master indeed.
Thus the captain discovers himself in the Other; but the Other had to
be exorcized in order that the Captain, Man, could genuinely become
himself.
Modern man, mirrored in the modern artist, realizes his destiny
by casting out the other selves that he finds in his soul. By an
extension, contemporary atheist existentialist philosophy teaches
that _all_ others—things, and persons—are set over against the self,
threatening its existence: the world is a hedge of hard spikes aimed
at the heart of the person, menacing it with otherness. All values,
all wills, and all being together are but the positive nothingness
of the Myself. They are one’s non-being. The philosophy of Sartre (a
symptom of a universal malaise), in which the “in itself” is discovered
as the negation and the opposite of the “for itself,” presents a
world in which the very discovery of personality is constituted by an
estrangement of man from existence. The alienation of the soul is the
condition of its destiny. Only in nausea, anguish, disgust and dread
can man learn that to be himself is not to be anything else. We are all
Strangers, even to our own consciousness of ourselves.
Public-domain text, read in full here on John Shaqi.
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