Hilaire Belloc, the man and his workMandell, C. Creighton
History
Hilaire Belloc, the man and his work
Mandell, C. Creighton
Belloc, Hilaire, 1870-1953 -- Criticism and interpretation
Some slight outline of the nature of the various attacks on the public
made by Mr. Belloc has already been given. We stand amazed to-day by the
unqualified success which has attended the attack carried into effect by
his writings on the war. But if we are to form even an approximation to
a complete idea of Mr. Belloc, it is necessary to examine these various
attacks, not merely separately and in detail, but in their relation to
each other and as a co-ordinated plan. And before we can hope to measure
the strength of that plan, we must examine the mind which ordains its
co-ordination and the forces which render possible its execution: in
other words, the personality of Mr. Belloc.
Any rigid distinction, then, drawn between Mr. Belloc's political,
historical and other writings is ultimately arbitrary. In the ensuing
pages of this book it will be seen how essentially interwoven and
interdependent are the various aspects of Mr. Belloc's work and how they
have developed, not the one out of the other, but alongside and in
co-relation with each other. For the sake of clearness, however, some
basis of classification must be adopted, and that of _subject_, though
rough and inadequate, will be understood, perhaps, most readily.
* * * * *
With a jerk a taxicab stops in the street outside. We hear the sound of
quick footsteps along the stone-flagged passage, with a rattle of the
handle the door swings wide open and Mr. Belloc is in the middle of the
room.
CHAPTER II
MR. BELLOC THE MAN
Short of stature, he yet dominates those in the room by virtue of the
force within him. So abundant is his vitality, that less forceful
natures receive from him an access of energy. This vigour appears, in
his person, in the massive breadth of his shoulders and the solidity of
his neck. With the exception of his marked breadth, he is
well-proportioned in build, though somewhat stout. His head is rather
Roman in shape, and his face, with its wide, calm brow, piercing eyes,
aquiline nose, straight mouth and square jaw, expresses a power of deep
reflection combined with a very lively interest in the things of the
moment, but, above all, tremendous determination. He holds himself
erect, with square shoulders; but the appearance of a stoop is given to
his figure by the habit, acquired by continual writing and public
speaking, of moving with his head thrust forward.
Public-domain text, read in full here on John Shaqi.
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