Hilaire Belloc, the man and his workMandell, C. Creighton
History
Hilaire Belloc, the man and his work
Mandell, C. Creighton
Belloc, Hilaire, 1870-1953 -- Criticism and interpretation
The nature of Mr. Belloc's own style is dealt with in a later chapter:
here it is merely asserted that, before the war, at any rate, Mr.
Belloc's style was accorded more general recognition than were his
ideas. Many who decried his matter extolled his manner. Many men of
talent, some men of genius, such as the late Rupert Brooke, regarded him
as a very great writer of English prose. Literary _dilettanti_ envied
him the refrains of his _ballades_. His essays, many of which were
manner without matter, were thoroughly popular. What he said might be
nonsense, but the way he said it was irresistible.
Since the beginning of the war Mr. Belloc has had that to say which
everybody desired to hear. He has known how to say that which everybody
desired to hear in the way it might best be said. He has been in a
position to express ideas with which every one wished to become
familiar: he has known how to express those ideas so that they might be
readily grasped. And he has become famous.
To those who were acquainted with but a part of his work before the war
Mr. Belloc's sudden leap into prominence as the most noteworthy writer
on military affairs in England must have come as somewhat of a shock. To
those whose knowledge of Mr. Belloc's writings was confined to _The Path
to Rome_ or the _Cautionary Tales_, who thought of him as essayist or
poet, this must have seemed a strange metamorphosis indeed. Even those
who were conversant with his study of the military aspects of the
Revolution and had noticed the careful attention paid by Mr. Belloc to
military matters in various books could scarcely have been prepared for
such an avalanche of highly-specialized knowledge. For we are all prone
to the mistake of confusing a man with his books.
With regard to some writers this error does not necessarily lead to very
evil results. There are some writers who express themselves as much in
one part of their work as in another. Take Mr. H. G. Wells as an
example. His writings, it is true, are varied in character, ranging from
phantasy to philosophy, from sociology to science. But through all his
writings there runs a thin thread which binds all of them together.
That thread is the personality of Mr. Wells finding expression. In such
a case as this personal knowledge of the man merely amplifies the idea
of him which we have been able to gather from his work.
But with Mr. Belloc the case is different. Can any full idea of Mr.
Belloc, the man, be formed by reading his books? It is to be doubted.
Were you to consult a reader of Mr. Wells' phantasies and a reader of
Mr. Wells' sociological novels with regard to the ideas of the writer
they had gleaned, you would find that the mental pictures they had
painted had many characteristics in common. Were you to make the same
experiment with a reader of Mr. Belloc's political writings and, say, a
subscriber to the _Morning Post_, who knew him by his essays alone, the
pictures would be entirely dissimilar.
Public-domain text, read in full here on John Shaqi.
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