Hildebrand; or, The Days of Queen Elizabeth, An Historic Romance, Vol. 1 of 3 — John Shaqi
Hildebrand; or, The Days of Queen Elizabeth, An Historic Romance, Vol. 1 of 3Anonymous
History
Hildebrand; or, The Days of Queen Elizabeth, An Historic Romance, Vol. 1 of 3
Anonymous
Great Britain -- History -- Elizabeth, 1558-1603 -- Fiction
by a chain of gold from her neck. This outrage, exceeding any
that she had hitherto sustained, drew from the unhappy lady
a cry of utter terror, and nerved her for one last effort to
break from his hold. She was still struggling, when the sound
of a horse’s feet broke on her ear, and, casting a despairing
glance around, her eye fell on our young horseman, who, having
turned the angle, had just come fully into view. Her strength
was by this time exhausted: she saw that deliverance, which had
appeared hopeless, was close at hand; and she sank senseless in
her assailant’s arms.
The ruffian had not a moment to lose; for the horseman, he
perceived at a glance, was no ordinary wayfarer, and he was
approaching at a full gallop. Throwing down the insensible form
of the lady, he seemed to deliberate, under the first effects of
the surprise, how he should meet him. His hesitation, however,
was but momentary; for, as the horseman drew nearer, he snatched
a pistol from his girdle, and discharged it at his breast. But
the ball struck the horseman in the fleshy part of his left arm,
and did not, according to his expectations, bring him to a halt.
Seeing him still advance, the robber sought to meet his assault
with his raised rapier; but whether it was that he had expected
it would be less vigorous, and so was unprepared, or that he
was an inexpert swordsman, his precaution was of no avail. The
horseman beat down his guard directly; and with a terrific
lounge, for which his long cut-and-thrust sword was excellently
adapted, ran him through the body, pinning him to the pannel of
the carriage at his back.
It will readily be imagined that this new incident did not
transpire without attracting the attention of those other
characters in the passing scene whom it so eminently affected.
The report of the pistol was the first intimation they had of
the horseman’s advent; and it was then that the senior cavalier,
turning from the contest he was engaged in, perceived the
melancholy situation of the young lady. This seemed to throw
him off his guard; for, regardless of his position, he broke
away from the conflict with the robber, and sprang to the
lady’s assistance. His servant was very unequal to the conflict
single-handed; and the robber, seeing the fate of his comrade,
and probably conceiving that no effort he could make would alter
the fortune of the day, availed himself of this circumstance to
retreat towards his steed, keeping the servant at bay, meanwhile,
though seemingly with a desire to do him no hurt.
At last he reached his horse, and with a dexterous lounge,
he knocked his rapier out of the servant’s hand, and sprang
unmolested to his saddle. As he gained his seat, he clapped spurs
to his horse, and galloped off.
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