Hildebrand; or, The Days of Queen Elizabeth, An Historic Romance, Vol. 2 of 3Anonymous
History
Hildebrand; or, The Days of Queen Elizabeth, An Historic Romance, Vol. 2 of 3
Anonymous
Great Britain -- History -- Elizabeth, 1558-1603 -- Fiction
The stranger was a slender young man, seemingly about eighteen
years of age. He might, indeed, be two or three years older;
but the freshness of his complexion, and his exceedingly slight
figure (though the mould of his figure was unexceptionable),
would hardly support such a conjecture. He was dressed with great
splendour; but it was not his costly habits, but the charms which
he derived from nature, that made his appearance imposing; and he
needed no meretricious attractions to prepossess every unenvious
eye in his favour.
“A fair morning to your worship!” he cried, on coming up with
Sir Walter. “What fell and desperate design hast thou now in
hand, that thus thou bearest down, equipped with all the art of a
lover, on the court of our virgin Queen?”
“Now, fair befall thee!” replied Sir Walter, with a merry smile;
“but thy love for worthy Will Shakspear, an’ it go on at this
length, will one day turn thy head, and thou shalt finally sink
into an absolute player. But, what news? what news, I prithee?”
“News?” cried his companion. “News that will make thy heart glad,
renowned knight! Sweet Will Shakspear--”
“By my lady’s hand,” exclaimed Sir Walter, laughing, “I would
have wagered my good steed against an old wife’s thimble, which
to me were as nothing, that the sum and burthen of thy news would
be only Will Shakspear! But let us hear it--let us hear it, my
trusty Southampton; for, after all, what concerns Will, concerns
the whole world.”
“Now, do I love thee for those words!” cried the young nobleman,
his cheeks mantling with a flush of pleasure. “But, to tell thee
my news, renowned knight! Thou must know, first, that Master
Shakspear will this day bring out a new play, at his noble
playhouse of the Globe; and, secondly, that the Queen’s Highness,
on my special petition, purposes to grace the performance with
her royal presence.”
“That is right welcome news, indeed,” answered Sir Walter; “but
tell me, I prithee, what is the theme and burthen of the play?”
“An admirable good theme,” replied the Earl of Southampton: “no
other, indeed, than the most pathetic history of Imogen, which
was first made known to the world by old Boccaccio, in his right
famous Decameron.”
“I mind the story well,” observed Sir Walter, “and, in good
sooth, ’tis a marvellous excellent one. But see! yonder is Master
Harrington, an’ I be not mistaken.”
“Faith, is it!” answered the Earl. “Let us on.”
Public-domain text, read in full here on John Shaqi.
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