Hildebrand; or, The Days of Queen Elizabeth, An Historic Romance, Vol. 2 of 3Anonymous
History
Hildebrand; or, The Days of Queen Elizabeth, An Historic Romance, Vol. 2 of 3
Anonymous
Great Britain -- History -- Elizabeth, 1558-1603 -- Fiction
“Nay, Sir Earl, I will know it,” returned Elizabeth, angrily.
And, seeing that the Earl was not inclined to satisfy her, she
rudely seized the chain herself, and drew it forth. The portrait
of a female, set in diamonds, was appended to the end of the
chain, and, as the Queen drew it forth, all pressed round to see
who it represented. A deep blush mantled the face of the Queen,
and her eyes, which had just before worn an angry expression,
sparkled with pleasure: it was a portrait of herself.
“A true lover! a true lover!” she cried. “Now could I swear, by
bell and candle, the fair youth would have died of his love ere
he could have spoken it! Dost think us so cruel? Well, well, we
must not leave thee hopeless. My Lord of Leicester, how awkwardly
thou walkest of late! There, there, drop thine arm! Give me
thine, my fair Lord Essex! give me thine!”
“My heart fails me, my gracious liege,” replied Essex, at the
same time drawing the Queen’s arm through his:--“yet what marvel,
since I have lost it?”
“Faith, now, an’ thou speakest so soothly, I will think thee
false,” answered the Queen. “But, no! no! I’ll believe thee! Now
for the barge! the barge!”
Leaning fondly on the arm of Essex, she led the way, down the
adjacent staircase, and through the hall below, to the shore
of the river, where the royal barge, with a number of private
barges, belonging to the several members of the court, waited her
approach. In these conveyances the whole party embarked, and in a
short time, being favoured by the tide, arrived at Milbank, and
there landed.
The Globe playhouse, where their excursion was to end, was now
close at hand, and, by the Queen’s direction, they proceeded
thither on foot. The house was already well filled; but two
spacious boxes, opening on to the stage, one on either side, had
been reserved for the court, and in one of these, to which she
was conducted by the Earl of Southampton, the Queen bestowed
herself. Her maids of honour stationed themselves on her left
hand; and, at her command, the Earls of Southampton, Essex,
Leicester, and Sussex, with Sir Walter Raleigh, and one or two
others, took their places on her right. The rest of the court,
including many ladies, and some few peeresses, were dispersed
over the theatre.
The public acclamations excited by the Queen’s appearance had
hardly subsided, when the curtain, which hitherto had kept the
stage from view, was drawn up, and the performances commenced.
The early passages of the play passed off tamely, till the
entrance of Cymbeline, the father of the heroine, and king of
Britain, and who gave the play its name, drew from all parts of
the theatre one burst of applause.
Public-domain text, read in full here on John Shaqi.
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