Hildebrand; or, The Days of Queen Elizabeth, An Historic Romance, Vol. 3 of 3Anonymous
History
Hildebrand; or, The Days of Queen Elizabeth, An Historic Romance, Vol. 3 of 3
Anonymous
Great Britain -- History -- Elizabeth, 1558-1603 -- Fiction
Providence always watches over its votaries. Asleep or awake,
the heart that strives against evil, whether in its own erring
nature, or the world around, may lean safely on its presence,
and depend on its protection. And, if we view the matter truly,
we shall find, on reflection, that we all continually recline
on this influence, even when we seem to act under our own
prompture. Pause on the unfathomable mystery of our nature! The
muscular frame, glowing with health--the wonderful mechanism of
the senses--the sight, that reflects on the hidden fabric of the
mind, which knows not its own seat, the form and pressure of
outward images--the hearing, that conveys to the same untraceable
centre the slightest sound--the memory, that records and recalls
the past--the active, profound, and undying thought--all may
be paralysed in a moment. At what time, then, and in what
enterprise, can we rely confidently on our own resources? If
never, we are as secure from harm in our sleep, when its approach
cannot be seen, as in the wariest period of healthful action.
Don Rafaele, as we have seen, had found Evaline asleep, and,
with a trembling but seemingly resolute hand, had raised his
dagger against her life. But though asleep, Evaline was more
secure under the shadow of that Power to which she had commended
herself, on retiring to rest, than if she had been able to see
his design, and to wrest the dagger from his hand.
And could Don Rafaele strike her? Oh, no! However headlong might
be the passion that boiled in his heart, it could not hurry him,
at this last pass, over the bound between his thought and the
act. It had carried him to the verge of crime; but there, on the
very point of its consummation, the tenderness of his nature came
to the rescue, and he drew back appalled.
Withdrawing his dagger, he reeled to the door, and passed on to
the outer landing. As he gained that place, a faintness came over
him; and he was obliged, when he had acquired a firm footing, to
come to a pause, and lean back against the wall for support. But
the weakness was only momentary, though it evidently required an
effort--and one of no common or limited vigour--to overcome it.
On recovering himself, he caught up the light, which, previous to
entering the chamber, he had left on the landing, and darted up
the stairs to his own dormitory.
The powerful excitement under which he had been labouring, and
which had nigh hurried him into such monstrous guilt, seemed
rather to abate when he arrived in his chamber; but the abatement
arose more from physical exhaustion, than moral alleviation. His
passion, however, though not a whit less bitter, was not quite
so overpowering. After a little time, indeed, it appeared to be
somewhat subdued; and, as reason regained its empire, he burst
into tears.
Public-domain text, read in full here on John Shaqi.
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