Hildreth's "Japan as It Was and Is": A Handbook of Old Japan, Volume 2 (of 2)Hildreth, Richard
History
Hildreth's "Japan as It Was and Is": A Handbook of Old Japan, Volume 2 (of 2)
Hildreth, Richard
Japan -- History
prince’s bed-chamber, to give him what he wants and asks for, and to
assist and support him in getting in or out. 10. Two or three horses of
state, the saddles covered with black. One of these horses carries a
large elbow-chair, which is sometimes covered with black velvet. These
horses are attended each by several grooms and footmen in liveries,
and some are led by the prince’s own pages. 11. Two pike-bearers. 12.
Ten or more people, carrying each two baskets of a monstrous size,
fixed to the ends of a pole, which they lay on their shoulders in such
a manner that one basket hangs down before and the other behind them.
These baskets are more for state than for any use. Sometimes some
chest-bearers walk among them, to increase the troop. In this order
marches the prince’s own train, which is followed by six to twelve led
horses with their leaders, grooms, and footmen, all in liveries. The
procession is closed by a multitude of the prince’s domestics and other
officers of his court, with their own numerous trains and attendants,
pike-bearers, chest-bearers, and footmen, in liveries. Some of these
are carried in kago, and the whole troop is headed by the prince’s
high-steward, carried in a norimono. If one of the prince’s sons
accompanies his father in this journey to court, he follows with his
own train immediately after his father’s norimono.
“It is a sight exceedingly curious and worthy of admiration, to see
all the persons who compose the numerous train of a great prince,
clad, the pike-bearers, the norimono-men and livery-men only excepted,
in black silk, marching in an elegant order, with a decent, becoming
gravity, and keeping so profound a silence that not the least noise
is to be heard, save what must necessarily arise from the motion and
rushing of their dresses, and the trampling of the horses and men.
On the other hand, it appears ridiculous to an European to see all
the pike-bearers and norimono-men, with their clothes tucked up above
their waists, exposing their nakedness to the spectators’ view, with
only a piece of cloth about their loins. What appears still more old
and whimsical is to see the pages, pike-bearers, umbrella and hat
bearers, chest-bearers, and all the footmen in liveries, affect, when
they pass through some remarkable town, or by the train of another
prince or lord, a strange mimic march or dance. Every step they make,
they draw up one foot quite to their backs, stretching out the arm on
the opposite side as far as they can, and putting themselves in such a
posture as if they had a mind to swim through the air. Meanwhile the
pikes, hats, umbrellas, chests, boxes, baskets, and whatever else they
carry are danced and tossed about in a very singular manner, answering
to the motion of their bodies. The norimono-men, who have their sleeves
tied with a string as near the shoulders as possible, so as to leave
their arms naked, carry the pole of the norimono either upon their
Public-domain text, read in full here on John Shaqi.
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