In this large and comfortable square a very steadfast and most considerable English bank is to be discovered. It is of honest brown brick! its architecture is of the plainest; its appearance is such that its credit could never fail, and that the house alone by its presence could conduct a dignified business for ever. The rooms in it are so many and so great that the owners of such a bank (having become princes by its success) could inhabit them with a majesty worthy of their new title. But who lives above his shop since Richardson died? And did old Richardson? Lord knows!... Anyhow, the bank is glorious, and it is but one of the fifty houses that I saw in Lynn. Thus, in the same street as the Globe, was a façade of stone. If it was Georgian, it was very early Georgian, for it was relieved with ornaments of a delicate and accurate sort, and the proportions were exactly satisfying to the eye that looked on it. The stone also was of that kind (Portland stone, I think) which goes black and white with age, and which is better suited than any other to the English climate. In another house near the church I saw a roof that might have been a roof for a town. It covered the living part and the stables, and the outhouse and the brewhouse, and the barns, and for all I know the pig-pens and the pigeons' as well. It was a benediction of a roof--a roof traditional, a roof patriarchal, a roof customary, a roof of permanence and unity, a roof that physically sheltered and spiritually sustained, a roof majestic, a roof eternal. In a word, it was a roof catholic. And what, thought I, is paid yearly in this town for such a roof as that? I do not know; but I know of another roof at Goudhurst, in Kent, which would have cost me less than £100 a year, only I could not get it for love or money. Then is also in Lynn a Custom House not very English, but very beautiful. The faces carved upon it were so vivid that I could not but believe them to have been carved in the Netherlands, and from this Custom House looks down the pinched, unhappy face of that narrow gentleman whom the great families destroyed--James II. There is also in Lynn what I did not know was to be seen out of Sussex--a Tudor building of chipped flints, and on it the mouldering arms of Elizabeth. The last Gothic of this Bishop's borough which the King seized from the Church clings to chance houses in little carven masks and occasional ogives: there is everywhere a feast for whatever in the mind is curious, searching, and reverent, and over the town, as over all the failing ports of our silting eastern seaboard, hangs the air of a great past time, the influence of the Baltic and the Lowlands. * * * * * For these ancient places do not change, they permit themselves to stand apart and to repose and--by paying that price--almost alone of all things in England they preserve some historic continuity, and satisfy the memories in one's blood.