New England -- Social life and customs -- Fiction; Vermont -- Poetry
She never knew how her great idea came to her. Sometimes she thought she
must have dreamed it, sometimes she even wondered reverently, in the
phraseology of the weekly prayer-meeting, if it had not been "sent" to
her. She never admitted to herself that she could have thought of it
without other help; it was too great, too ambitious, too lofty a project
for her humble mind to have conceived. Even when she finished drawing the
design with her own fingers, she gazed at it incredulously, not daring to
believe that it could indeed be her handiwork. At first it seemed to her
only like a lovely but quite unreal dream. She did not think of putting it
into execution--so elaborate, so complicated, so beautifully difficult a
pattern could be only for the angels in heaven to quilt. But so curiously
does familiarity accustom us even to very wonderful things, that as she
lived with this astonishing creation of her mind, the longing grew
stronger and stronger to give it material life with her nimble old
fingers.
She gasped at her daring when this idea first swept over her and put it
away as one does a sinfully selfish notion, but she kept coming back to it
again and again. Finally she said compromisingly to herself that she would
make one "square," just one part of her design, to see how it would look.
Accustomed to the most complete dependence on her brother and his wife,
she dared not do even this without asking Sophia's permission. With a
heart full of hope and fear thumping furiously against her old ribs, she
approached the mistress of the house on churning-day, knowing with the
innocent guile of a child that the country woman was apt to be in a good
temper while working over the fragrant butter in the cool cellar.
Sophia listened absently to her sister-in-law's halting, hesitating
petition. "Why, yes, Mehetabel," she said, leaning far down into the huge
churn for the last golden morsels--"why, yes, start another quilt if you
want to. I've got a lot of pieces from the spring sewing that will work in
real good." Mehetabel tried honestly to make her see that this would be no
common quilt, but her limited vocabulary and her emotion stood between her
and expression. At last Sophia said, with a kindly impatience: "Oh, there!
Don't bother me. I never could keep track of your quiltin' patterns,
anyhow. I don't care what pattern you go by."
With this overwhelmingly, although unconsciously, generous permission
Mehetabel rushed back up the steep attic stairs to her room, and in a
joyful agitation began preparations for the work of her life. It was even
better than she hoped. By some heaven-sent inspiration she had invented a
pattern beyond which no patchwork quilt could go.
Public-domain text, read in full here on John Shaqi.
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