New England -- Social life and customs -- Fiction; Vermont -- Poetry
Mehetabel's heart swelled within her, and tears of joy moistened her old
eyes as she lay that night in her narrow, hard bed, too proud and excited
to sleep. The next day her sister-in-law amazed her by taking the huge pan
of potatoes out of her lap and setting one of the younger children to
peeling them. "Don't you want to go on with that quiltin' pattern?" she
said; "I'd kind o' like to see how you're goin' to make the grape-vine
design come out on the corner."
By the end of the summer the family interest had risen so high that
Mehetabel was given a little stand in the sitting-room where she could
keep her pieces, and work in odd minutes. She almost wept over such
kindness, and resolved firmly not to take advantage of it by neglecting
her work, which she performed with a fierce thoroughness. But the whole
atmosphere of her world was changed. Things had a meaning now. Through the
longest task of washing milk-pans there rose the rainbow of promise of her
variegated work. She took her place by the little table and put the
thimble on her knotted, hard finger with the solemnity of a priestess
performing a sacred rite.
She was even able to bear with some degree of dignity the extreme honor of
having the minister and the minister's wife comment admiringly on her
great project. The family felt quite proud of Aunt Mehetabel as Minister
Bowman had said it was work as fine as any he had ever seen, "and he
didn't know but finer!" The remark was repeated verbatim to the neighbors
in the following weeks when they dropped in and examined in a perverse
silence some astonishingly difficult _tour de force_ which Mehetabel had
just finished.
The family especially plumed themselves on the slow progress of the quilt.
"Mehetabel has been to work on that corner for six weeks, come Tuesday,
and she ain't half done yet," they explained to visitors. They fell out of
the way of always expecting her to be the one to run on errands, even for
the children. "Don't bother your Aunt Mehetabel," Sophia would call.
"Can't you see she's got to a ticklish place on the quilt?"
The old woman sat up straighter and looked the world in the face. She was
a part of it at last. She joined in the conversation and her remarks were
listened to. The children were even told to mind her when she asked them
to do some service for her, although this she did but seldom, the habit of
self-effacement being too strong.
One day some strangers from the next town drove up and asked if they could
inspect the wonderful quilt which they had heard of, even down in their end
of the valley. After that such visitations were not uncommon, making the
Elwells' house a notable object. Mehetabel's quilt came to be one of the
town sights, and no one was allowed to leave the town without having paid
tribute to its worth. The Elwells saw to it that their aunt was better
dressed than she had ever been before, and one of the girls made her a
pretty little cap to wear on her thin white hair.
Public-domain text, read in full here on John Shaqi.
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