Their intoxicating drink, which seems more to excite than to debauch the mind, is partially fermented. Murwa grain (_Eleusine Coracana_). Spirits are rather too strong to be relished raw, and when a glass of wine is given to one of a party, he sips it, and hands it round to all the rest. A long bamboo flute, with four or six burnt holes far below the month-hole, is the only musical instrument I have seen in use among them. When travelling, and the fatigues of the day are over, the Lepchas will sit for hours chatting, telling stories, singing in a monotonous tone, or blowing this flute. I have often listened with real pleasure to the simple music of this rude instrument; its low and sweet tones are singularly Æolian, as are the airs usually played, which fall by octaves: it seems to harmonize with the solitude of their primæval forests, and he must have a dull ear who cannot draw from it the indication of a contented mind, whether he may relish its soft musical notes or not. Though always equipped for the chase, I fancy the Lepcha is no great sportsman; there is little to be pursued in this region, and he is not driven by necessity to follow what there is. Their marriages are contracted in childhood, and the wife purchased by money, or by service rendered to the future father-in-law, the parties being often united before the woman leaves her parents’ roof, in cases where the payment is not forthcoming, and the bridegroom prefers giving his and his wife’s labour to the father for a stated period in lieu. On the time of service expiring, or the money being paid up, the marriage is publicly celebrated by feasting and riot. The females are generally chaste, and the marriage-tie is strictly kept, its violation being heavily punished by divorce, beating, slavery, etc. In cases of intermarriage with foreigners, the children belong to the father’s country. All the labours of the house, the field, and march, devolve on the women and children, or slaves if they have them.