For the information of future travellers, I may state that the total expense of my Indian journey, including outfit, three years and a half travelling, and the sending of my collections to Calcutta, was under £2000 (of which £1200 were defrayed by government), but would have come to much more, had I not enjoyed the great advantages I have detailed. This sum does not include the purchase of books and instruments, with which I supplied myself, and which cost about £200, nor the freight of the collections to England, which was paid by Government. Owing to the kind services of Mr. J. C. Melvill, Secretary of the India House, many small parcels of seeds, etc., were conveyed to England, free of cost; and I have to record my great obligations and sincere thanks to the Peninsular and Oriental Steam Navigation Company, for conveying, without charge, all small parcels of books, instruments and specimens, addressed to or by myself. It remains to say something of the illustrations of this work. The maps are from surveys of my own, made chiefly with my own instruments, but partly with some valuable ones for the use of which I am indebted to my friend Captain H. Thuillier, Deputy Surveyor-General of India, who placed at my disposal the resources of the magnificent establishment under his control, and to whose innumerable good offices I am very greatly beholden. The landscapes, etc. have been prepared chiefly from my own drawings, and will, I hope, be found to be tolerably faithful representations of the scenes. I have always endeavoured to overcome that tendency to exaggerate heights, and increase the angle of slopes, which is I believe the besetting sin, not of amateurs only, but of our most accomplished artists. As, however, I did not use instruments in projecting the outlines, I do not pretend to have wholly avoided this snare; nor, I regret to say; has the lithographer, in all cases, been content to abide by his copy. My drawings will be considered tame compared with most mountain landscapes, though the subjects comprise some of the grandest scenes in nature. Considering how conventional the treatment of such subjects is, and how unanimous artists seem to be as to the propriety of exaggerating those features which should predominate in the landscape, it may fairly be doubted whether the total effect of steepness and elevation, especially in a mountain view, can, on a small scale, be conveyed by a strict adherence to truth. I need hardly add, that if such is attainable, it is only by those who have a power of colouring that few pretend to. In the list of plates and woodcuts I have mentioned the obligations I am under to several friends for the use of drawings, etc.