The great or south temple contained a side altar of very elegant shape, placed before an image encircled by a glory. Flowers, juniper, peacock's feathers, pastiles, and rows of brass cups of water were the chief ornaments of the altars, besides the instruments I have elsewhere enumerated. In this temple was the library, containing several hundred books, in pigeon-holes, placed in recesses.* [For a particular account of the images and decorations of these temples, sea Dr. Campbell's paper in "Bengal Asiatic Society's Trans.," May, 1849. The principal object of veneration amongst the Ningma or red sect of Boodhists in Sikkim and Bhotan is Gorucknath, who is always represented sitting cross-legged, holding the dorje in one hand, which is raised; whilst the left rests in the lap and holds a cup with a jewel in it. The left arm supports a trident, whose staff pierces three sculls (a symbol of Shiva), a rosary hangs round his neck, and he wears a red mitre with a lunar crescent and sun in front.] Illustration--PLAN OF THE SOUTH TEMPLE. A. entrance; B. four praying cylinders; C. altar, with seven brass cups of water; D. four columns; E. and F. images; G. library. The effect on entering these cold and gloomy temples is very impressive; the Dugang in particular is exquisitely ornamented and painted, and the vista from the vestibule to the principal idol, of carved and coloured pillars and beams, is very picturesque. Within, the general arrangement of the colours and gilding is felt to be harmonious and pleasing, especially from the introduction of slender white streaks between the contrasting masses of colour, as adopted in the Great Exhibition building of 1851. It is also well worthy of remark that the brightest colours are often used in broad masses, and when so, are always arranged chromatically, in the sequence of the rainbow's hues, and are hence never displeasing to the eye. The hues, though bright, are subdued by the imperfect light: the countenances of the images are all calm, and their expression solemn. Whichever way you turn, the eye is met by some beautiful specimen of colouring or carving, or some object of veneration. The effect is much heightened by the incense of juniper and sweet-smelling herbs which the priests burn on entering, by their grave and decorous conduct, and by the feeling of respect that is demanded by a religion which theoretically inculcates and adores virtue in the abstract, and those only amongst men who practise virtue. To the idol itself the Boodhist attaches no real importance; it is an object of reverence, not of worship, and no virtue or attribute belong to it _per se_; it is a symbol of the creed, and the adoration is paid to the holy man whom it represents.