The northern temple is quite plain: the middle one is simply painted red, and encircled with a row of black heads, with goggle eyes and numerous teeth, on a white ground; it is said to have been originally dedicated to the evil spirits of the Lepcha creed. The southern, which contains the library, is the largest and best, and is of an irregular square shape. The inside walls and floors are plastered with clay, and painted with allegorical representations of Boodh, etc. From the vestibule the principal apartment is entered by broad folding-doors, studded with circular copper bosses, and turning on iron hinges. It is lighted by latticed windows, sometimes protected outside by a bamboo screen. Owing to the great thickness of the walls (three to four feet), a very feeble light is admitted. In the principal temple, called "Dugang," six hexagonal wooden columns, narrowed above, with peculiar broad transverse capitals, exquisitely gilded and painted, support the cross-beams of the roof, which are likewise beautifully ornamented. Sometimes a curly-maned gilt lion is placed over a column, and it is always furnished with a black bushy tail: squares, diamonds, dragons, and groups of flowers, vermilion, green, gold, azure, and white, are dispersed with great artistic taste over all the beams; the heavier masses of colour being separated by fine white lines. Illustration--SOUTHERN TEMPLE. The altars and idols are placed at the opposite end; and two long parallel benches, like cathedral stalls, run down the centre of the building: on these the monks sit at prayer and contemplation, the head Lama occupying a stall (often of very tasteful design) near the altar. Illustration--MIDDLE TEMPLE. The principal Boodh, or image, is placed behind the altar under a canopy, or behind a silk screen: lesser gods, and gaily dressed and painted effigies of sainted male or female persons are ranged on either side, or placed in niches around the apartment, sometimes with separate altars before them; whilst the walls are more or less covered with paintings of monks in prayer or contemplation. The principal Boodh (Sakya Sing) sits cross-legged, with the left heel up: his left-hand always rests on his thigh, and holds the padmi or lotus and jewel, which is often a mere cup; the right-hand is either raised, with the two forefingers up, or holds the dorje, or rests on the calf of the upturned leg. Sakya has generally curled hair, Lamas have mitres, females various head-dresses; most wear immense ear-rings, and some rosaries. All are placed on rude pediments, so painted as to convey the idea of their rising out of the petals of the pink, purple, or white lotus. None are in any way disagreeable; on the contrary most have a calm and pleasing expression, suggestive of contemplation. Illustration--ALTAR AND IMAGES. Central figure Akshobya, the first of the Pancha Boodha.