Hindu literature : Comprising The Book of good counsels, Nala and Damayanti, The Ramayana, and SakoontalaDutt, Toru
ReligionEastern
Hindu literature : Comprising The Book of good counsels, Nala and Damayanti, The Ramayana, and Sakoontala
Dutt, Toru
Sanskrit literature -- Translations into English
The fourth act describes the fulfilment of this evil omen. The king has
now returned to the city, and has given Śakoontalá a signet ring, with
an inscription on it, pronouncing that after there have elapsed as many
days as there are letters in this inscription he will return. As the two
maiden companions of Śakoontalá are culling flowers in the garden of the
hermitage, they hear a voice exclaiming, "It is I! give heed!" This is
the great Durvasas, whom Śakoontalá, lost in thoughts of her absent
husband, has neglected at once to go forth to welcome. The voice from
behind the scenes is soon after heard uttering a curse--"Woe unto her
who is thus neglectful of a guest," and declaring that Dushyanta, of
whom alone she is thinking, regardless of the presence of a pious saint,
shall forget her in spite of all his love, as the wine-bibber forgets
his delirium. The Hindoo saint is here described in all his arrogance
and cruelty. One of the maidens says that he who had uttered the curse
is now retiring with great strides, quivering with rage--for his wrath
is like a consuming fire. A pretty picture is given of Śakoontalá, who
carries on her finger the signet ring, which has the virtue of restoring
the king's love, if ever he should forget her. "There sits our beloved
friend," cries one of the maidens: "motionless as a picture; her cheek
supported by her left hand, so absorbed in thoughts of her absent lover
that she is unconscious of her own self--how much more of a passing
stranger?"
In the fourth act there is an exquisite description of the return of
Kanwa from his pilgrimage, and the preparations for the start of
Śakoontalá for her husband's palace, in the city. The delicate pathos of
the scene is worthy of Euripides. "Alas! Alas!" exclaim the two maidens,
"Now Śakoontalá has disappeared behind the trees of the forest. Tell us,
master, how shall we enter again the sacred grove made desolate by her
departure?" But the holy calm, broken for a moment by the excitement of
his child's departure, is soon restored to Kanwa's mind. "Now that my
child is dismissed to her husband's home, tranquillity regains my soul."
The closing reflection is worthy of a Greek dramatist: "Our maids we
rear for the happiness of others; and now that I have sent her to her
husband I feel the satisfaction that comes from restoring a trust."
Public-domain text, read in full here on John Shaqi.
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