Hindu literature : Comprising The Book of good counsels, Nala and Damayanti, The Ramayana, and SakoontalaDutt, Toru
ReligionEastern
Hindu literature : Comprising The Book of good counsels, Nala and Damayanti, The Ramayana, and Sakoontala
Dutt, Toru
Sanskrit literature -- Translations into English
STAGE-MANAGER.--We are here before the eyes of an audience of educated
and discerning men; and have to represent in their presence a new drama
composed by Kálidása, called "Śakoontalá, or the Lost Ring." Let the
whole company exert themselves to do justice to their several parts.
ACTRESS,--You, Sir, have so judiciously managed the cast of the
characters, that nothing will be defective in the acting.
STAGE-MANAGER.--Lady, I will tell you the exact state of the case.
No skill in acting can I deem complete,
Till from the wise the actor gain applause:
Know that the heart e'en of the truly skilful,
Shrinks from too boastful confidence in self.
ACTRESS [_modestly_].--You judge correctly. And now, what are your
commands?
STAGE-MANAGER.--What can you do better than engage the attention of the
audience by some captivating melody?
ACTRESS.--Which among the seasons shall I select as the subject of my
song?
STAGE-MANAGER.--You surely ought to give the preference to the present
Summer season that has but recently commenced, a season so rich in
enjoyment. For now
Unceasing are the charms of halcyon days,
When the cool bath exhilarates the frame;
When sylvan gales are laden with the scent
Of fragrant Pátalas; when soothing sleep
Creeps softly on beneath the deepening shade;
And when, at last, the dulcet calm of eve
Entrancing steals o'er every yielding sense.
ACTRESS.--I will. [_Sings._
Fond maids, the chosen of their hearts to please,
Entwine their ears with sweet Śirísha flowers,
Whose fragrant lips attract the kiss of bees
That softly murmur through the summer hours.
STAGE-MANAGER.--Charmingly sung! The audience are motionless as statues,
their souls riveted by the enchanting strain. What subject shall we
select for representation, that we may insure a continuance of their
favor?
ACTRESS.--Why not the same, Sir, announced by you at first? Let the
drama called "Śakoontalá, or the Lost Ring," be the subject of our
dramatic performance.
STAGE-MANAGER.--Rightly reminded! For the moment I had forgotten it.
Your song's transporting melody decoyed
My thoughts, and rapt with ecstasy my soul;
As now the bounding antelope allures
The King Dushyanta on the chase intent. [_Exeunt._
ACT FIRST
Scene.--A Forest
_Enter King Dushyanta, armed with a bow and arrow, in a chariot, chasing
an antelope, attended by his Charioteer_.
CHARIOTEER [_looking at the deer, and then at the King_].--
Great Prince,
When on the antelope I bend my gaze,
And on your Majesty, whose mighty bow
Has its string firmly braced; before my eyes
The god that wields the trident seems revealed,
Chasing the deer that flies from him in vain.
Public-domain text, read in full here on John Shaqi.
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