Although Sinhalese Buddhism has not diverged much from the Pali scriptures in its main doctrines and discipline, yet it tolerates a superstructure of Indian beliefs and ceremonies which forbid us to call it pure except in a restricted sense. At present there may be said to be three religions in Ceylon; local animism, Hinduism and Buddhism are all inextricably mixed together. By local animism I mean the worship of native spirits who do not belong to the ordinary Hindu pantheon though they may be identified with its members. The priests of this worship are called Kapuralas and one of their principal ceremonies consists in dancing until they are supposed to be possessed by a spirit--the devil dancing of Europeans. Though this religion is distinct from ordinary Hinduism, its deities and ceremonies find parallels in the southern Tamil country. In Ceylon it is not merely a village superstition but possesses temples of considerable size[114], for instance at Badulla and near Ratnapura. In the latter there is a Buddhist shrine in the court yard, so that the Blessed One may countenance the worship, much as the Piṭakas represent him as patronizing and instructing the deities of ancient Magadha, but the structure and observances of the temple itself are not Buddhist. The chief spirit worshipped at Ratnapura and in most of these temples is Mahâ Saman, the god of Adam's Peak. He is sometimes identified with Lakshmana, the brother of Râma, and sometimes with Indra. About a quarter of the population are Tamils professing Hinduism. Hindu temples of the ordinary Dravidian type are especially frequent in the northern districts, but they are found in most parts and at Kandy two may be seen close to the shrine of the Tooth.[115] Buddhists feel no scruple in frequenting them and the images of Hindu deities are habitually introduced into Buddhist temples. These often contain a hall, at the end of which are one or more sitting figures of the Buddha, on the right hand side a recumbent figure of him, but on the left a row of four statues representing Mahâbrahmâ, Vishṇu, Kârttikeya and Mahâsâman. Of these Vishṇu generally receives marked attention, shown by the number of prayers written on slips of paper which are attached to his hand. Nor is this worship found merely as a survival in the older temples. The four figures appear in the newest edifices and the image of Vishṇu never fails to attract votaries. Yet though a rigid Buddhist may regard such devotion as dangerous, it is not treasonable, for Vishṇu is regarded not as a competitor but as a very reverent admirer of the Buddha and anxious to befriend good Buddhists.