The operations necessary for taking a picture are briefly as
follows:—Having selected the position from which the view is to be
taken (for valuable hints as to the _artistic_ production of pictures
see Robinson’s ‘Pictorial Effect in Photography’), the tripod stand is
first set up, and the head approximately levelled by means of the pocket
level, altering the position or length of the legs as may be necessary.
The camera is next screwed on to the stand, and the lens selected which
on trial is found to include the required amount of subject. For groups
or portraits a long focus lens with wide aperture, such as Dallmeyer’s
“Rapid rectilinear,” 11 in. focus, should be used. The next operation
is to focus the picture accurately on the ground-glass screen of the
camera. The focussing-cloth is thrown over the head and the camera,
so as to exclude the light as much as possible, and while looking at
the inverted image on the ground glass, the milled head of the rack
adjustment is turned till the image appears as sharp as possible. The
camera is now turned about on its vertical axis till it exactly includes
the view intended to be taken, and the screw is tightened. It may be
necessary to raise or lower the front of the camera carrying the lens
in order to include objects at a high or low elevation; if the vertical
range of this sliding front is insufficient, the camera must be tilted;
but, if this is done, care must be taken to set the focussing-screen
vertical again by means of the swing back, and to readjust the focus.
The full aperture of the lens should always be used for focussing,
and if the image is not sharp all over the plate it will be necessary
to insert a diaphragm in the lens, using the largest that will effect
the required object. Having then put the cap on the lens, the hinged
frame carrying the focussing-glass is turned over, and one of the
slides carrying the sensitive plates is inserted in its place. The
slides should be exposed as little as possible to the light, especially
avoiding direct sunlight; however carefully constructed, it is difficult
to make them absolutely light-tight. The shutter of the slide is then
withdrawn, and the exposure made by removing the cap from the lens for
time exposure, and by a spring shutter for instantaneous work. The time
of exposure must be estimated according to circumstances, and it requires
considerable experience to judge of it accurately. A record should be
kept in a note-book of every plate exposed, giving the number, date,
time, exposure, subject, &c. If the plates cannot be developed the same
evening, and the slides are wanted for fresh plates, they must be packed
up again, and should be numbered. This is best done by marking the number
on the back with a bit of dry soap, or in the film with a lead pencil.
The image on the plate after exposure is latent and invisible, and has
to be developed. This is effected by pouring on the plate, laid in one
Public-domain text, read in full here on John Shaqi.
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