His Excellency [Son Exc. Eugène Rougon]Zola, Émile
History
His Excellency [Son Exc. Eugène Rougon]
Zola, Émile
France -- History -- Second Empire, 1852-1870 -- Fiction
While the Chamber was granting these different requests, M. Kahn, who
had probably grown weary of examining the green silk curtain stretched
before the seditious portrait of Louis Philippe, turned to glance at
the galleries. Above the wall of yellow marble veined with lake red,
there was a gallery with hand-rests of amaranthine velvet spanning the
spaces from one column to another; and higher up a mantle of embossed
leather failed to conceal the gaps left by the suppression of a second
tier of seats which had been assigned to journalists and the general
public previous to the Empire. The narrow, gloomy boxes between the
massive yellowish marble pillars, which stood in somewhat heavy
splendour round the semicircle, were for the most part empty, although
here and there they were brightened by the light-tinted toilettes of
some ladies.
'Ah! so Colonel Jobelin has come!' murmured M. Kahn.
And forthwith he smiled at the colonel, who had perceived him. Colonel
Jobelin was wearing the dark-blue frock-coat which he had adopted as a
kind of civilian uniform ever since his retirement from the service.
He sat quite alone in the questors' gallery, and his rosette as an
officer of the Legion of Honour was so large as to look almost like the
bow of a cravat.
But M. Kahn's eyes had already strayed to a young man and woman who
were nestling in a corner of the gallery of the Council of State. The
young man was continually bending his head and whispering to the young
woman, who smiled with a gentle air, but did not turn to look at him,
her eyes being fixed upon the allegorical figure of Public Order.
'I say, Béjuin,' M. Kahn remarked, nudging his colleague with his knee.
M. Béjuin, who was now busy with his fifth letter, again raised his
head with an expression of absent-mindedness.
'Look up there,' continued M. Kahn; 'don't you see little Escorailles
and pretty Madame Bouchard? I'll be bound he's making love to her.
What eyes she's got! All Rougon's friends seem to have made a point of
coming to-day. There's Madame Correur and the Charbonnels up there in
the public gallery.'
However, the bell sounded again for some moments, and an usher called
out in a fine bass voice: 'Silence, gentlemen!'
Then the deputies began to listen, and the President spoke the
following words, not a syllable of which was lost: 'Monsieur Kahn asks
permission to publish the speech which he delivered on the bill for the
establishment of a municipal tax upon vehicles and horses in Paris.'
Public-domain text, read in full here on John Shaqi.
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