His Excellency [Son Exc. Eugène Rougon]Zola, Émile
History
His Excellency [Son Exc. Eugène Rougon]
Zola, Émile
France -- History -- Second Empire, 1852-1870 -- Fiction
Upon the morrow of the day when Clorinde had gone on her hired horse
to give Rougon a sympathetic shake of the hand at the door of the
Council of State, Rougon himself went to pay her a visit. She had made
him give a solemn promise to do so. She wanted, she said, to show him
something which would brighten his gloomy moods. He laughingly called
her his 'pet vice'; forgot his worries when he was with her, and felt
cheerful and amused. The more so as she kept his mind on the alert, for
he was still seeking the key to her history, and was as yet no nearer
a solution than on the first day. As he turned the corner of the Rue
Marbeuf, he glanced at the house in the Rue du Colisée tenanted by
Delestang, whom he fancied he had several times seen peering through
the half open shutters of his study at Clorinde's window across the
avenue; but to-day the shutters were closed. Delestang had probably
gone off to his model-farm at La Chamade.
The door of the Balbis' house was always wide open. At the foot of the
staircase Rougon met a little dark-complexioned woman, with untidy hair
and a tattered yellow dress. She was biting at an orange as though it
were an apple.
'Is your mistress at home, Antonia?' he asked her.
Her mouth was too full to allow her to reply, so she nodded her head
energetically and smiled. Her lips were streaming with orange juice,
and her little eyes, as she screwed them up, looked like drops of ink
upon her dark skin.
Rougon was already accustomed to the irregular ways of the Balbis'
servants, so without more ado he went up the stairs. On his way he met
a big lanky man-servant, with a face like a brigand's and a long black
beard, who coolly stared at him without giving him the balustrade-side.
When he reached the first floor, he found himself confronted by three
open doors, but saw no one about. The door on his left hand was that
of Clorinde's bedroom. Curiosity prompted him to peep inside. Although
it was four o'clock in the afternoon, the bed had not been made or
the room tidied. Upon a screen standing in front of the bed and half
concealing the tumbled coverlets, some splashed petticoats which
the girl had worn on the previous day had been hung to dry, while a
wash-basin, full of soapy water, stood on the floor in front of the
window, and the cat of the house, a grey one, slept, comfortably
curled, in the midst of a heap of garments.
It was, however, upon the second floor that Clorinde was generally
to be found, in the gallery which she had successively turned into a
studio, a smoking-room, a hot-house, and a summer drawing-room. As
Rougon ascended upwards he heard a growing uproar of voices, shrill
laughter and a noise as of furniture being overturned; and when he
reached the door he could distinguish the notes of a consumptive piano
and sounds of singing. He knocked at the door twice without receiving
any answer, and then determined to enter.
'Ah! bravo, bravo, here he is!' cried Clorinde, clapping her hands.
Public-domain text, read in full here on John Shaqi.
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