His Excellency [Son Exc. Eugène Rougon] — John Shaqi
His Excellency [Son Exc. Eugène Rougon]Zola, Émile
History
His Excellency [Son Exc. Eugène Rougon]
Zola, Émile
France -- History -- Second Empire, 1852-1870 -- Fiction
The Countess was indeed there, reclining in a deep easy chair behind a
variety of other furniture. This discovery came quite as a surprise.
The three political refugees had evidently been unaware of her
presence, for they at once rose from their couch and bowed. Rougon went
up and shook hands with her, standing while she, still lying back in
her chair, answered him in monosyllables with that perpetual smile of
hers which never left her, even when she was ill. Then she relapsed
into listless silence, glancing every now and then into the avenue
along which a stream of carriages was passing. She had probably taken
up her position there in order to watch the people. And so Rougon soon
left her.
Chevalier Rusconi, having again taken his seat at the piano, was trying
to recall a tune, gently striking the keys and humming some Italian
words in a low voice. La Rouquette, meantime, was fanning himself with
his handkerchief; Clorinde was again seriously impersonating Diana,
and Rougon, in the sudden calm which had come upon the room, took
short steps up and down while looking at the walls. The gallery was
crowded with an extraordinary collection of articles; a secrétaire, a
chest, and several chairs and tables, all pushed into the middle of the
apartment and forming a labyrinth of narrow passages. At one end of
the room some hot-house plants, crowded together and neglected, were
drooping and dying, their long, pendent leaves already turning yellow;
and at the other end there was a great heap of dried sculptor's clay,
in which one could still recognise the crumbling arms and legs of a
statue which Clorinde had roughly moulded one day when seized with the
whim of becoming an artist. Although the gallery was very large, there
was only one unencumbered spot in it, a patch in front of one of the
windows, a small square, which had been turned into a kind of little
drawing-room, furnished with a couch and three odd easy chairs.
'You are at liberty to smoke,' said Clorinde to Rougon. He thanked
her, but told her that he never smoked. Then, without turning round,
the girl cried out: 'Chevalier, make me a cigarette. The tobacco is in
front of you, on the piano.'
While the Chevalier was making the cigarette there was another interval
of silence. Rougon, vexed at finding all these people present, felt
inclined to take up his hat; however, he turned round and walked up to
Clorinde; then raising his head, he said with a smile: 'Didn't you ask
me to call because you had something to show me?'
She did not immediately reply, but maintained her serious pose; so he
continued: 'What is it that you want to show me?'
'Myself,' she answered.
Public-domain text, read in full here on John Shaqi.
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