_I returned home from this gorgeous funeral in a thoughtful mood,
thinking how much emptiness there is in glory, and particularly in
political glory. This man had been "His Excellency the Minister" and not
only his own province, but the whole country had placed its hopes on
him. But what had he done? He had left his home to cast himself into the
great whirlpool of the metropolis. It was the romance of a great
provincial plunged in Paris into the reality of contemporary history,
and become as ordinary as the commonplace items of the Journals. "What a
subject for a study at once profoundly modern and perfectly lifelike!"
The funeral convoy had hardly left the church of the Madeleine when my
plot of this romance was thought out, and appeared clearly before me in
this title, very brief and simple: _His Excellency the Minister_._
_I have not drawn any one in particular, I have thought of no individual
person, I even forgot all about this departed Minister, whose face I
hardly caught even a glimpse of, and of whose life I was completely
ignorant; I had only in my mind's eye a hero or rather a heroine:
Politics with all its discouragements, its vexations, its treacheries,
its deceptions, its visions as fair as the blue sky of summer, suddenly
bursting like soap bubbles; and to the woes of Politics, I naturally
endeavored to add those of the pangs of love._
_And this is how my book came to see the light. I have been frequently
asked from what living person I borrowed the character of Vaudrey, with
its sufferings, its disappointments, its falterings. From whom? An
American translator, better informed, it appears, than myself, has, I
believe, brought out in New York a _key_ to the characters presented in
my book. I should have publicly protested against this _Key_ which
unlocks nothing, however, had it been published in France. Reader, do
not expect any masks to be raised here--there are no masks; it is only a
picture of living people, of passions of our time. No portraits,
however, only types. That, at least, is what I have tried to do. And if
I expected to find indulgent critics, I have certainly succeeded, and
the two special characters which I sought to portray in my romance--in
Parisian and political life--have been fortunate enough to win the
approval of two critics whose testimony to the truth of my portraitures
I have set down here._
_An author of rare merit and an authority on Statecraft, Monsieur J.-J.
Weiss, was kind enough one day to analyze and praise, apropos of the
comedy founded upon my book, the romance which I am to-day republishing.
It has been extremely pleasant for me to put myself under the
sponsorship of a man of letters willing to vouch for the truth of my
portrayals. I must beg pardon for repeating his commendations of my
work, so grateful are they to me, coming from the pen of a critic so
renowned, and which I take some pride in reading again._
Public-domain text, read in full here on John Shaqi.
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