Guy de Lissac occupied a small summer-house forming a residence situated
at the end of a court on Rue D'Aumale. He had given carte-blanche for
the arrangement of this bachelor's nest,--a nest in which sitting-hens
without eggs succeeded each other rapidly,--to one of those upholsterers
who installed, in regulation style, the knickknacks so much in vogue,
and who sell at very high prices to Bourse operators and courtesans the
spurious Clodions and imitation Boulles that they pick up by chance at
auction sales.
Lissac, who had sufficient taste to discover artistic nuggets in the
gutters of Paris, had found it very convenient to wake up one fine
morning in a little mansion crowded with Japanese bric-a-brac, Chinese
satin draperies, tapestries, Renaissance chests and terra-cotta figures
writhing upon their sculptured bases. The upholsterer had taste, Lissac
had money. The knickknacks were genuine. There was a coquettish
attractiveness about the abode that made itself evident in every detail.
This bachelor's suite lacked, however, something personal, something
living, some cherished object, the mark of some particular taste, some
passion for a period, for a thing, or pictures or books. In this jumble
of ill-matched curiosities, where ivory _netzkes_ on tables surrounded
Barye bronzes and Dresden figures, there lacked some evidence of an
individual character that would give a dominant tone, an original key,
to the collection. This worldly dwelling, with its white lacquered bed
and Louis XV. canopy and its heads of birds carved in wood like the
queen's bed at Trianon, vaguely resembled the apartments of a
fashionable woman.
But Guy had hung around here and there a Samourai sabre, Malay krises,
Oriental daggers in purple velvet sheaths, and upon the green tapestry
background of the antechamber a panoply on which keen-bladed swords with
steel guards were mingled with Scotch claymores with silver hilts, thus
giving a masculine character to this hotel of a fashionable lounger,
steeped with the odor of ylang-ylang like the little house of a pretty
courtesan.
This Guy enjoyed in Paris a free and easy life, leaving to Vaudrey, his
old college-comrade at Grenoble, the pursuit of the pleasures of
political life, and, as Lissac said in that bantering tone which is
peculiar to Parisian gossip, the relish of the "sweets of power"; for
himself, what kept him in Paris was Paris itself, just that and nothing
more:--its pleasures, its first nights, its surprises, its women, that
flavor of scandal and perfume of refined immorality that seemed peculiar
to his time and surroundings.
Public-domain text, read in full here on John Shaqi.
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