Adventure stories; Inheritance and succession -- Fiction; Mines and mineral resources -- Fiction; Mystery fiction; Theater -- Fiction
Miss Pyce condescended to accept the invitation to breakfast from the
proprietor of the People’s Theater, as she had nothing better to do with
her time. Her own manager had wounded her vanity by not appearing at the
dock with an automobile. So the three were soon tucked into Brainard’s
motor and crossing the ferry. Miss Pyce inquired after the fate of the
People’s company in a tone of lofty kindness, until Louisiana kicked her
about the ankles, causing her to relapse into a sulky gloom.
“The salubrious air of Broadway will do you good, I hope, Cissie,”
Louisiana remarked severely. “I’ve stood your nonsense for six days
because I had to. Now come to, please! Just because you’ve got a fool
play, and a fool manager to waste his money on you, you needn’t try the
Duse-Bernhardt-Ellen Terry pose on old friends!”
Miss Pyce promptly descended several steps and began to converse about
the New York weather, which she said was trying to English nerves.
When they arrived at Brainard’s house, they found that Farson had not yet
come in from rehearsal. The two women were shown into the little den
behind the library, while Brainard glanced over his mail.
Five minutes had scarcely elapsed when a shriek came from the inner room,
and the door was thrown violently open. Louisiana stood on the
threshold, clasping against her breast a little picture framed in a thin
gold molding.
“Where did you get _this_?” she demanded breathlessly.
Brainard looked at her admiringly. As she stood there against the dark
shadows of the inner room, the sun from the window falling in a great
gold bar across her auburn hair and violet-colored traveling dress—thin,
erect, full of the passionate eagerness of youth—he saw Farson’s
character created.
“Bravo, Gertrude!” he cried.
“Tell me, where did you find _this_?” she insisted impatiently.
“What have you got there?” he asked, taking the picture from her hands.
Her face followed his with curiosity and expectation, her eyes searching
him.
“Where did you get it?” she repeated.
“This water color? I picked it up in Arizona—out there where my mine is
located. It’s a long story—_my_ story. I’ll tell it to you some of
these days.”
“Now! Tell it to me now!” she insisted, with something more than
childish impetuosity.
But just then Cissie Pyce, patting the marvelous folds of her hair, came
from the inner room.
“Not now,” Brainard replied, looking meaningly at Miss Pyce.
Taking the water color from Louisiana’s reluctant hands, he replaced it
above the desk in his private study, where it had always hung since he
had moved into this house.
Farson came in presently, and in the flurry of his surprise and greetings
the subject of the water color was apparently forgotten. Now and again,
however, during their lively breakfast, Brainard found Louisiana’s gray
eyes resting on him with a peculiar intentness. She did not seem so much
excited over the prospect of playing Gertrude in _Her Great Adventure_ as
he had expected.
Public-domain text, read in full here on John Shaqi.
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