Adventure stories; Inheritance and succession -- Fiction; Mines and mineral resources -- Fiction; Mystery fiction; Theater -- Fiction
After the meal Cissie tore herself away reluctantly, and the three others
went over the new play, the author explaining some of his ideas, and
seeking to get the young actress interested in her part. Louisiana
listened, but evidently her thoughts were far away. Farson was visibly
disappointed.
“I think Miss Delacourt must be tired after her journey and the early
landing,” Brainard interposed in kindly fashion.
“Of course—pardon me!” the young dramatist said, throwing down his
manuscript. “Let me set you down at your hotel on the way to the
theater.”
“No, you are already late for the rehearsal. I will take Miss Delacourt
home when the motor comes back. I have something to say to her.”
Farson left with reluctance, after making an engagement for the morrow
with the young actress.
“And I’ll know my lines by that time,” she promised him.
No sooner had the door closed upon the secretary than she leaped to her
feet.
“Now for the story! And may I see the picture again?”
Brainard fetched the little water color and placed it in her hands.
“As I told you,” he said, “it’s by way of being the story of my own
life—at least, of the only part that counts as life!”
“Yes?” she said expectantly.
Looking over her shoulders, he pointed to a spot in the distant mountain
background of the sketch.
“In there is the site of the great Melody mine—”
“Melody—what? Why, what do you mean?” the girl stammered in renewed
excitement.
“The Melody mine—that’s the name of the mine about which there is the
litigation, you know. That’s where all the money for the theater came
from. It’s the famous pot of gold—my Aladdin’s lamp—only it’s likely to
change owners.”
“But why did you call it Melody?” Louisiana demanded, with glistening
eyes.
“That’s all in the story, too,” laughed Brainard.
“Then tell it to me—_all_!”
She dropped the picture into her lap, and, holding her little hands
tightly clasped, fastened her eyes on Brainard’s face, as if what he had
to say was of momentous interest to her. But that, he reflected,
somewhat flattered, was just Louisiana’s way.
“Here goes, then, Miss Delacourt, for the story of my life, which
explains that water-color sketch being in my possession!”
And Brainard retold the tale of _his_ great adventure since he played the
part of good Samaritan to the dying stranger. It took some time to tell
the story, and he did not hurry. The motor came back and waited below,
while he went into all the details of the story with which we are
familiar.
Public-domain text, read in full here on John Shaqi.
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